Organization

Direction d'orchestre

Donald Runnicles

Mise en scène

Tobias Kratzer

Décors

Rainer Sellmaier

Costumes

Lumières

Stefan Woinke

Video

Jonas Dahl

Manuel Braun

Direction de choeur

Jeremy Bines

Dramaturgie

Bettina Bartz

Chanteur

Basse

Albert Pesendorfer

Comte Waldner

Mezzo-soprano

Doris Soffel

Adélaïde

Soprano

Elena Tsallagova

Zdenka

Baryton

Russell Braun

Mandryka

Ténor

Robert Watson

Matteo

Thomas Blondelle

Comte Elemer

Lexi Hutton

La Cartomancienne

Kyle Miller

Comte Dominik

Hye-Young Moon

Fiakermilli

Gabriela Scherer

Arabella

Sara Jakubiak

Chorégraphie

Jeroen Verbruggen

Tyler Zimmerman

Comte Lamoral

Rôle parlant

Jörg Schörner

Welko

Michael Jamak

Djura

Robert Hebenstreit

Jankel

Thaisen Rusch

Une femme de chambre

Heiner Boßmeyer

Deutsche Oper Berlin

Orchestra

Orchester der Deutschen Oper Berlin

Others

Choir of the Deutsche Oper Berlin

allemand

Berlin

Allemagne

Arabella Strauss,R

Public

Private

anglais

Valide

At first glance, Hofmannsthal's libretto ARABELLA is a comedy of mistaken identity which, had it been composed by Rossini, could have been a snappy buffo opera. But the music of Richard Strauss, who pulls out all the stops of his orchestral art, from the late romantic intoxication to the most modern discord, creates a subtle, colorful panorama of a society in transition, whose late-bourgeois values ​​are crumbling. One's own identity and interpersonal relationships have to be tested from scratch. Central is – even more than the title character, who oscillates between romance and rebellion – Arabella's younger sister Zdenka, who, disguised as a man by her parents for lack of money for girls' clothes befitting their status, has to struggle all the more desperately with her/his role as an outsider.

For the director Tobias scratches and his team, the ambivalences of the characters up to the last quirky supporting character are a welcome source of inspiration to think about historical role models and modern identity. The detailed staging, in which the real plot is repeatedly contrasted, supplemented and commented on with cinematic virtuality, should give the viewer the opportunity to experience the musical richness with an often surprising change of perspective between private emotional chaos and social norms. With ARABELLA, Tobias Kratzer continues the collaboration with Sir Donald Runnicles, which began in 2019 with the acclaimed production of Zemlinsky's DER ZWERG.

English

Arabella by Strauss, Du (2023/2023), Dirigé par Tobias Kratzer,, Chef d'orchestre Donald Runnicles, Deutsche Oper Berlin, Berlin, Allemagne

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Programme, À Propos & Synopsis

Vidéos

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles