Name: Ariadne auf Naxos
Start: 2012-07-29T00:00:00.000Z
End: 2012-08-15T00:00:00.000Z
Location: Haus für Mozart

Admin

Organization

Sopran

Emily Magee

Primadonna

Ariadne

Elena Mosuc

Zerbinetta

Eva Liebau

Najada

Mezzosopran

Marie-Claude Chappuis

Dryade

Eleonora Buratto

Echo

Tenor

Jonas Kaufmann

Der Tenor

Bacchus

Roberto Saccà

Bariton

Gabriel Bermúdez

Harlekin

Michael Laurenz

Scaramucchio

Bass

Tobias Kehrer

Truffaldin

Martin Mitterrutzner

Brighella

Gesprochen

Peter Matic

Haushofmeister

Sänger

Cornelius Obonya

M Jourdain

Thomas Frank

Der Komponist

Michael Rotschopf

Hofmannsthal

Stefanie Dvorak

Nicolina

Dirigat

Riccardo Chailly

Regie

Sven-Eric Bechtolf

Bühnenbild

Rolf Glittenberg

Marianne Glittenberg

Lichtgestaltung

Jürgen Hoffmann

Choreographie

Heinz Spoerli

Dramaturgie

Ronny Dietrich

Eine Schäferin

Ein Schäfer

Regina Fritsch

Ottonie

Dorine

Salzburger Festspiele

Orchestra

Wiener Philharmoniker

Deutsch

Ariadne auf Naxos

Salzburg

Österreich

Haus für Mozart

The first opera premiere of the Vienna Philharmonic at the 2012 Salzburg Festival – conducted by Daniel Harding – shows a well-known work in an unusual guise: Richard Strauss' Ariadne auf Naxos was first performed in the original version a hundred years ago. The Salzburg Festival is also celebrating this anniversary as a homage to the three founding fathers, as Strauss and Hofmannsthal dedicated this opera to Max Reinhardt.
Ariadne auf Naxos was the third joint work by Richard Strauss and Hugo von Hofmannsthal and was written immediately after the great success of Der Rosenkavalier. Originally planned as a “divertissement with a small chamber orchestra”, the project grew into a major project that combined opera, drama and ballet – and failed at the premiere in 1912. The Salzburg Festival is now committed to "the still wonderful dream of its creators: to bring together the most diverse forms of theatre, ballet, drama, music and singing." Sven-Eric Bechtolf directs this unconventional production and has Molière's play Der Bürger als Edelmann , which preceded the opera at the time, not only adapted, but also reinserted the later composed ballet music. "A hundred years have passed since Hofmannsthal began to work on the material with the rabidly practical and dramaturgically highly talented Strauss, a hundred years since the disastrous premiere of Ariadne auf Naxos. We are taking this 'anniversary' as an opportunity to look at the original version again. Where else would this make more sense than in Salzburg” (Sven-Eric Bechtolf).

Ariadne auf Naxos Strauss,R

Public

Englisch

Genehmigt

Programmheft der Produktion

Weiterführende Literatur