Name: Auferstehung
Start: 2023-03-20T00:00:00.000Z
End: 2023-03-21T00:00:00.000Z
Location: Kongress am Park

Organization

Conductor

Domonkos Héja

Soprano

Jihyun Cecilia Lee

Mezzo-soprano

Ekaterina Aleksandrova

Mezzo-Soprano

Staatstheater Augsburg

Orchestra

Augsburg Philharmonic

Others

Opernchor des Staatstheater Augsburg

Auferstehung

Augsburg

Germany

Kongress am Park

Auferstehung: Symphony No. 2 in C minor, ("Ressurection Symphony")

Public

Symphony No. 2 in C Minor, ("Resurrection Symphony")

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Singer

Baritone

Contralto

Countertenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Mahler was already striving for the larger form with his second symphony: he significantly expanded the scope and the orchestration and included solo singers and the choir. Programmatically, Mahler's thoughts revolve around the religious-existential theme of death as the end of earthly life and the beginning of contemplation into divine eternity. It was not without reason that the symphony was later given the name »Resurrection Symphony«.

English

Bereits mit seiner zweiten Sinfonie strebte Mahler nach der Großform: Er erweiterte deutlich den Umfang und die Orchesterbesetzung und band Gesangssolistinnen und Chor mit ein. Programmatisch kreisen die Gedanken Mahlers um das religiös-existenzielle Thema des Todes als Ende des irdischen Lebens und Beginn der Einkehr in die göttliche Ewigkeit. Nicht grundlos erhielt die Sinfonie später den Namen »Auferstehungssinfonie«.

Deutsch

Auferstehung by Mahler, Ó (2023/2023), Seoltóir Domonkos Héja, Kongress am Park, Augsburg, Germany

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Ensemble

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid