Name: Bach Sans Frontières
Start: 2022-05-26T00:00:00.000Z
End: 2022-05-30T00:00:00.000Z
Location: Stadttheater Schaffhausen

Organization

Admin

Les Talens Lyriques

Orchestra

Conductor

Christophe Rousset

Singer

Florie Valiquette

Soloist

Soprano

Bach Sans Frontières

Puteaux

France

Conservatoire Jean-Baptiste Lully

Schaffhausen

Switzerland

Stadttheater Schaffhausen

Bach Sans Frontières: Orchestral Suite No.2 in B Minor, BWV 1067 Bach, J. S. (+5 More)

Public

Orchestral Suite No.2 in B Minor

Les Nations

Le Carnaval de Venise

The Gallant Europe

Orfeo, P.115

Non sa che sia dolore, BWV 209

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

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Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

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Video designer

Vocal coach

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Writer

Writing and performance

Bass-baritone

Countertenor

Tenor

Baritone

Bass

Contralto

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Johann Sebastian Bach (1685-1750) fait partie sans conteste de ces compositeurs « sans frontières » qui ont su jouer avec les styles musicaux nationaux de leur temps, les modeler et les façonner selon leur propre génie. Christophe Rousset propose une mise en lumière originale de la musique du célèbre cantor dans ce programme tout européen, multicolore, fait d’emprunts et d’inspiration au voyage.

Ainsi, la Suite nº 2 pour flûte, cordes et basse continueBWV 1067, avec son ouverture et ses danses « à la française » et la cantate en langue italienne Non so che sia doloreBWV 209 encadrent une autre merveilleuse cantate pour soprano, Orfeo, de l’italien Giovanni Battista Pergolesi (1710-1736), ainsi que des extraits d’œuvres de deux maîtres français de l’art des « goûts réunis » : François Couperin (1668-1733) et André Campra (1660-1744). Ces extraits mettent à l’honneur tour à tour la pureté du contrepoint germanique, la légèreté du chant italien et la noblesse de l’Espagne, mêlant la sonade de « L’Impériale » et la passacaille de « L’Espagnole » extraites des fameuses Nations de Couperin ; ainsi que deux airs de Campra, en langue italienne (« La farfalla intorno ai fiori », extrait des Fêtes Vénitiennes) et espagnole (« El esperar en amor » extrait de L’Europe galante). Toutes composées du vivant de Bach, ces œuvres ainsi rassemblées témoignent de l’enthousiasme et de l’effervescence qu’ont suscité chez les musiciens et leurs publics ces confrontations de nations en musique à travers toute l’Europe du xviiiesiècle.

Deutsch

Johann Sebastian Bach (1685-1750) is undoubtedly one of those “borderless” composers who knew how to play with the national musical styles of their time, model them and shape them according to their own genius. Christophe Rousset offers an original highlighting of the music of the famous cantor in this all-European, multi-colored program, made of borrowings and inspiration from travel.

Thus, Suite No. 2 for flute, strings and basso continuo BWV 1067, with its overture and its “French-style” dances and the Italian-language cantata Non so che sia dolore BWV 209 frame another marvelous cantata for soprano, Orfeo , by the Italian Giovanni Battista Pergolesi (1710-1736), as well as extracts from the works of two French masters of the art of “united tastes”: François Couperin (1668-1733) and André Campra (1660-1744). These extracts highlight in turn the purity of Germanic counterpoint, the lightness of Italian singing and the nobility of Spain, mixing the sonade of “L'Impériale” and the passacaglia of “L'Espagnene” taken from the famous Couperin Nations ; as well as two arias by Campra, in Italian (“La farfalla intorno ai fiori”, taken from Les Fêtes Vénitiennes ) and Spanish (“El esperar en amor” taken from L’Europe galante ). All composed during Bach's lifetime, these works brought together bear witness to the enthusiasm and excitement that these confrontations of nations in music throughout Europe in the 18th century aroused among musicians and their audiences .

English

Bach Sans Frontières by Bach, J. S., Couperin, Campra, Pergolesi, De la (2022/2022), Dirijor Christophe Rousset, Stadttheater Schaffhausen, Schaffhausen, Switzerland

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