Name: Begehren — Klangforum Wien · Cantando Admont · Furrer
Start: 2024-07-29T00:00:00.000Z
End: 2024-07-29T00:00:00.000Z
Location: Kollegienkirche

Organization

Admin

Salzburger Festspiele

Conductor

Beat Furrer

Chorus master

Cordula Bürgi

Others

Klangforum Wien

Cantando Admont

Singer

Soprano

Sarah Aristidou

Bass

Christoph Brunner

Begehren — Klangforum Wien · Cantando Admont · Furrer

Salzburg

Austria

Kollegienkirche

Public

Desire

Sharan Allad

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Bass-baritone

Contralto

Tenor

Countertenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

‘Shadow’ is the first word in Beat Furrer’s music theatre work Begehren (Desire), based on texts by Cesare Pavese, Günter Eich, Ovid and Virgil. And it is from the shadows that the sounds emerge, in the form of single lines murmuring, whispering and flickering as they rise upwards. Two people set out from the underworld, hoping to see daylight again. The decision to turn around, to look back, is also an emotional turning point: one that freezes this tragic moment in time, to be relived over and over again. But this is only the beginning of a relationship drama that is obsessively concerned with remembering and searching. With Begehren, a reinterpretation of the myth of Orpheus and Eurydice, Beat Furrer has created one of his most haunting works of music theatre.

English

„Schatten“ lautet das erste Wort in Beat Furrers Musiktheater Begehren nach Texten von Cesare Pavese, Günter Eich, Ovid und Vergil. Und aus dem Schatten treten die Klänge hervor: Einzelne Linien steigen an, sie raunen, wispern, züngeln. Zwei Menschen streben aus der Unterwelt dem Licht des Tages zu. Sein Blick zurück zu ihr ist der Wendepunkt in doppeltem Sinn: Der tragische Moment wird eingefroren, immer wieder aufs Neue durchlitten. Doch das ist nur der Anfang eines Beziehungsdramas, das obsessiv um Erinnern und Suchen kreist. Mit Begehren, einer Neudeutung des Mythos von Orpheus und Eurydike, schuf Beat Furrer eines seiner eindringlichsten Musiktheaterwerke.

Deutsch

Begehren — Klangforum Wien · Cantando Admont · Furrer by Furrer, No (2024/2024), Diriģents Beat Furrer, Kollegienkirche, Salzburg, Austria

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