Organization

Tiroler Festspiele Erl

Direction d'orchestre

Simone Di Felice

Mise en scène

Tilmann Köhler

Décors

Karoly Risz

Costumes

Susanne Uhl

Lumières

Joachim Klein

Dramaturgie

Zsolt Horpácsy

Chanteur

Contralto

Maria Ostroukhova

Falliero

Soprano

Heather Phillips

Bianca

Ténor

Theo Lebow

Contareno

Basse

Giovanni Battista Parodi

Capellio

Božidar Smiljanić

Priuli

Doge von Venedig

Carlos Andrés Cárdenas

Ein Kanzler / Ein Offizier / Ein Gerichtsdiener

Others

Chor der Tiroler Festspiele Erl

Orchestra

Orchester der Tiroler Festspiele Erl

Bianca e Falliero -  (Bianca et Falliero)

Weinzierl bei Krems

Autriche

Festspielhaus

Public

Bianca et Falliero

Valide

Her father's political and financial interests threaten their love. Bianca is mercilessly used as a hostage in the family feud. Falliero, the victorious defender of the state, returns from the war just as Bianca is about to be forced into a marriage with Capellio. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Bianca is mercilessly used as a hostage in the family feud. Falliero, the victorious defender of the state, returns from the war just as Bianca is about to be forced into a marriage with Capellio. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Bianca is mercilessly used as a hostage in the family feud. Falliero, the victorious defender of the state, returns from the war just as Bianca is about to be forced into a marriage with Capellio. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." when a forced marriage between Bianca and Capellio is to be concluded. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." when a forced marriage between Bianca and Capellio is to be concluded. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities."
Zsolt Horpácsy

English

Bianca et Falliero by Rossini, Du (2022/2022), Dirigé par Tilmann Köhler,, Chef d'orchestre Simone Di Felice, Festspielhaus, Weinzierl bei Krems, Autriche

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Programme, À Propos & Synopsis

Critiques

Lectures complémentaires

Dates et lieux de représentation

Salles