Organization

Tiroler Festspiele Erl

Maestro

Simone Di Felice

Diretor de Palco

Tilmann Köhler

Cenógrafo

Karoly Risz

Estilista

Susanne Uhl

Designer de Iluminação

Joachim Klein

Dramaturgo

Zsolt Horpácsy

Cantor

Contralto

Maria Ostroukhova

Falliero

Soprano

Heather Phillips

Bianca

Tenor

Theo Lebow

Contareno

Baixo

Giovanni Battista Parodi

Capellio

Božidar Smiljanić

Priuli

Doge von Venedig

Carlos Andrés Cárdenas

Ein Kanzler / Ein Offizier / Ein Gerichtsdiener

Others

Chor der Tiroler Festspiele Erl

Orchestra

Orchester der Tiroler Festspiele Erl

Bianca e Falliero

Weinzierl bei Krems

Áustria

Festspielhaus

Public

Approved

Her father's political and financial interests threaten their love. Bianca is mercilessly used as a hostage in the family feud. Falliero, the victorious defender of the state, returns from the war just as Bianca is about to be forced into a marriage with Capellio. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Bianca is mercilessly used as a hostage in the family feud. Falliero, the victorious defender of the state, returns from the war just as Bianca is about to be forced into a marriage with Capellio. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Bianca is mercilessly used as a hostage in the family feud. Falliero, the victorious defender of the state, returns from the war just as Bianca is about to be forced into a marriage with Capellio. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." when a forced marriage between Bianca and Capellio is to be concluded. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." when a forced marriage between Bianca and Capellio is to be concluded. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities."
Zsolt Horpácsy

English

Bianca e Falliero by Rossini, De (2022/2022), Dirigido por Tilmann Köhler,, Regente Simone Di Felice, Festspielhaus, Weinzierl bei Krems, Áustria

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