Name: Boris Godunov
Start: 2021-10-22T00:00:00.000Z
End: 2022-02-05T00:00:00.000Z
Location: Novaya Opera Theatre

Organization

Singer

Baritone

Vitaly Efanov

Boris Godunov

Vladimir Kudashev

Alexey Antonov

Alexey Tikhomirov

Mezzo-soprano

Ekaterina Kichigina

Fyodor

Yulia Mennibaeva

Polina Shamaeva

Maria Patrusheva

Anna Sinitsyna

Soprano

Ksenia Volkova

Kseniya

Galina Koroleva

Svetlana Skripkina

Elvira Khokhlova

Victoria Shevtsova

Emma Sarkisyan

Kseniya's nurse

Aleksandra Saulskaya-Shultyaeva

Margarita Nekrasova

Tatyana Tabachuk

Tenor

Sergey Polyakov

Prince Vasiliy Ivanovich Shuysky

Alexander Skvarko

Georgy Faradzhev

Mikhail Gubsky

Andrej Breus

Andrey Shchelkalov

Artyom Garnov

Anatoly Grigoriev

Ilya Kuzmin

Vasily Ladyuk

Alexander Martynov

Sergey Sheremet

Bass

Pimen

Andrey Fetisov

Evgeny Stavinsky

Grigoriy

Georgy Vasiliev

Dmitry Bobrov

Varlaam

Sergey Tarasov

Sergey Artamonov

Boris Zhukov

Veniamin Egorov

Misail

Maxim Ostroukhov

Anton Bochkaryov

The innkeeper

Irina Romishevskaya

Elena Svechnikova

Nurlan Bekmukhambetov

Simpleton

Alexander Bogdanov

Dmitry Pianov

Yaroslav Abaimov

Oleg Shagotsky

Mityukha

Mikhail Pervushin

Dmitry Orlov

Court Boyar

Andjey Beletsky

Alexander Popov

Bass-baritone

First police officer

Stage director

Valery Belyakovich

Conductor

Dmitry Volosnikov

Valery Kritskov

Lighting designer

Gleb Filshtinsky

Costume designer

Inna Gabai

Set designer

Eduard Kochergin

Chorus master

Natalya Popovich

Maria Chekrkchieva

Novaya Opera

Moscow

Russia

Novaya Opera Theatre

Public

Approved

Boris Godunov Musorgsky

Novaya Opera’s production of the original version of Mussorgsky’s Boris Godunov, which was rejected by the Committee of the Imperial Theatres 130 years ago, came as a major revelation to the opera-goers. All authentic compositions should be returned to the public, and the Novaya Opera Theatre brings back not only the original version of the opera, composed by Mussorgsky in one go, but also the historical events surrounding the Time of Troubles, on which Aleksandr Pushkin’s drama is based. The true heroes of the opera are not the haughty Tsar and boyars, but people of tragic fate, caught in the whirlpool of history. The style of the production is austere, consistent, figurative and theatrical.

English

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