Organization

Bayreuth Baroque Opera Festival

Singer

Soprano

Bruno de Sá

Conductor

Fransesco Corti

BRUNO DE SÁ Roma Travestita

Bayreuth

Germany

Alessandro Scarlatti (1660-1725)
Sinfonia de Telemaco (1718)
Dì che sogno, o che deliro (air by Griselda from Griselda (1721))

Antonio Vivaldi (1678-1741)
Senza l'amato ben (air by Leocasta from Il Giustino ( 1724))
Per noi soave e bella (aria by Arianna from Il Giustino (1724))

Arcangelo Corelli (1653–1713)
Sonata in trio op. 3 No. 5 in D minor
The tomb. Andante – Allegro – Largo – Allegro

Arena Giuseppe (1713–1784)
Del sen gl'ardori nessun mi vanti (air from Deidamia d'Achille à Sciro (1738))

Nicolas Antonio Porpora (1686–1768)
Vorresti a me sul ciglio (Aria by Giuditta by Carlo il Calvo (1738))

Giacchino Cocchi (1712–1796)
Timida pastorella (air from Adelaide by Adelaide (1743))

Johann Adolf Hasse (1699–1783)
Non mi chiamar rawle (air from Sestia by Cajo Fabricio (1732))

Baldassare Galuppi (1706-1785)
Concerto a quattro n° 3 in D major
Maestoso – Allegro – Andantino

Gaetano Latilla (1711-1788)
Vanne barbaro alle selve (air from Ersilia by Romolo (1739))

Antonio Vivaldi
Sinfonia de Il Giustino
Allegro – Andante – Allegro

Niccolò Piccinni (1728–1800)
Furie di donna irata (air of Marchesa Lucinda from La buona figliuola (1760))

Roma Travestita: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Baritone

Countertenor

Contralto

Bass-baritone

Tenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

The soprano voice of the Brazilian singer Bruno de Sá doesn’t only soar to astonishing heights but also avails of such flexibility and limberness that he can dance gaily through the most daredevil scores and, thanks to its profoundly expressive potential, lends emotional depth to every aria. His powerful and yet mellow voice paired with extraordinary intensity and musicality make Bruno de Sá into a unique phenomenon on the stages of our world.

In the programme Roma Travestita, the young singer focuses on Roman opera between the years 1720 and 1760. Since women at this time in the Papal States were prohibited from appearing in public as actresses or singers, nevertheless, audiences had no desire to be deprived of the enjoyment of operatic performances; castrati had to slip into the female costumes. In this guise many a castrato had the heads of their male public spinning. Montesquieu, for example, reports of his visit to Rome: “A young Englishman who thought one of these castrati to be a woman was inflamed with violent love for him and was left languishing in this fit of passion for more than a whole month.” Many of the pre-eminent composers of this time didn’t wish to miss the chance of writing “female” arias about love and jealousy, joy and pain for the throats of these adulated male singers. Together with the ensemble Il Pomo d’Oro under Francesco Corti, Bruna de Sá lends his radiant and poignant soprano voice to the stage heroines of Alessandro Scarlatti, Antonio Vivaldi, Giuseppe Arena, and more.

English

BRUNO DE SÁ Roma Travestita by Various, Nuo (2022/2022), Dirigentas Fransesco Corti

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