Name: Budapest Festival Orchestra
Start: 2023-05-11T00:00:00.000Z
End: 2023-05-14T00:00:00.000Z
Location: Béla Bartók National Concert Hall

Organization

Wagner in Budapest

Dirigat

Iván Fischer

Sänger

Anna-Lena Elbert

Soprano

Orchestra

Budapest Festival Orchestra

Budapest

Ungarn

Béla Bartók National Concert Hall

Budapest Festival Orchestra: Concert

Public

Ouvertüre Nr. 4 in D-Dur, BWV 1069

Der große Makaber

3. Sinfonie in F-Dur, op. 90

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Bühnenbild

Chefdirigent Musiktheater

Chor

Chordirektion

Choreographie

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Kostümbild

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Orchester

Orchestra Operations

Photographer

Poet

Regie

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bass

Mezzosopran

Countertenor

Bariton

Bass-Bariton

Sopran

Tenor

Alto

Continuo

Kinderstimme

Singer

Sprechrolle

Stumme Rolle

Bach's last orchestral suite is a perfect opener; the composer labelled the entire work "Ouverture” with good reason. The first movement invokes the dotted notes and sublime atmosphere of overtures to French operas - with a bit of Italian seasoning. Then, in line with the style of the period, comes a series of conventional dances.
The Chief of Gepopo, the secret police of Brueghelland, warns Prince Go-Go that the intelligence service has discovered a giant comet approaching on a trajectory that will destroy the planet. Due to the messenger's fear and paranoid hysteria, the coded message becomes almost incomprehensible. Le Grand Macabre, Ligeti's only opera, is an absurd caricature, full of sarcastic wit and virtuosic grotesqueness. This is especially true for the Gepopo arias, which have been performed as an independent concert piece since 1991. The wails of the Chief of Gepopo, desperately singing about the end of the world, is an extremely difficult technical task for the soprano; the chamber orchestra, sometimes operating as a choir, accompanies the cries for help with similar virtuosity.
Brahms's Third Symphony is often likened to Beethoven's Eroica, even though Brahms's hero is totally different in character. The frequent transitions to a minor key from the basic F major key and the conflicts of the first movement suggest that here the protagonist is mainly fighting with himself. The ominous endings of the individual movements, the gloomy, slow response given to the slow movement (in place of a dance movement), and the gradually hushed ending of the finale turn the usual heroic march, instead of a triumphant conclusion, into a psychological drama.

English

Budapest Festival Orchestra by Bach, J. S., Ligeti, Brahms, Ab (2023/2023), Dirigat Iván Fischer, Béla Bartók National Concert Hall, Budapest, Ungarn

Aufführungskredite (Besetzung & Produktionsteam )

Ensemble

Programm, Über & Zusammenfassung

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte