Name: Carlo il Calvo
Start: 2020-09-20T00:00:00.000Z
End: 2020-09-20T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Chanteur

Contre-ténor

Max Emanuel Cencic

Lottario

Franco Fagioli

Adalgiso

Soprano

Julia Lezhneva

Gildippe

Bruno de Sá

Berardo

Suzanne Jerosme

Giuditta

Mezzo-soprano

Nian Wang

Eduige

Ténor

Petr Nekoranec

Asprando

Direction d'orchestre

George Petrou

Libretto

Francesco Silvani

MusikTheater an der Wien

italien

Carlo il Calvo -  (Charles le Chauve)

Vienne

Autriche

Theater an der Wien

Charles le Chauve

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Costumes

Danse

Diffusion

Direction de choeur

Dramaturgie

Décors

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Mise en scène

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Baryton-basse

Basse

Baryton

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

The Neapolitan Nicola Antonio Porpora was the leading singing teacher of the 18th century and also composed over 60 operas. In his home town he taught the legendary castratos Farinelli and Caffarelli and was uncompromising in his pursuit of perfection. The timetable he set his pupils was rigorous. A pupil of Porpora was expected to spend four hours on various vocal exercises and one hour on literary study – all before lunch. Any leisure time the pupil may have had was expected to be filled with harpsichord practice and composing vocal music. Porpora composed for the theatres in Naples, Venice, London, Dresden and Vienna. In the latter city he also worked as a singing teacher and engaged a certain Joseph Haydn as his valet and accompanying pianist. In 1738 Porpora wrote the opera seria Carlo il Calvo for the Teatro delle Dame in Rome based on the life of Charles the Bald, king of West Francia and later Italy in the 9th century and a grandson of Charlemagne. Despite its name, ladies were not permitted to perform at the “Theatre of the Dames” because an edict issued by the pope allowed only men to appear on Rome’s stages. Consequently, the cast for the first performance of Carlo il Calvo was entirely male. Porpora’s opera is based on a Venetian libretto from 1699 and takes the audience to early mediaeval Europe where the quarrelling heirs of Charlemagne are fighting for power. In Porpora the eponymous hero is still a child whom the composer also allows to sing a few lines. His step-brother kidnaps the young Charles in order to seize the crown. Only the noble knight Adalgiso can stop the usurper of the throne. Porpora wrote Carlo il Calvo for some of his own pupils since it enabled him to precisely assess their abilities from a compositional standpoint. Among them was Anton Huber, only 19 years old, who, under his stage name Porporino, was later to become primo uomo at the royal opera in Berlin. Because he was both singing teacher and composer, the singing roles in Porpora’s œuvre are among the most beautiful, but also the most challenging, in Baroque opera literature.

English

Charles le Chauve by Porpora, Du (2020/2020), Chef d'orchestre George Petrou, Theater an der Wien, Vienne, Autriche

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Programme, À Propos & Synopsis

Lectures complémentaires

Dates et lieux de représentation

Salles