Organization

Stage director

Kate Millett

Conductor

James Penn

Pianist

Pam Christie

Singer

Mezzo-soprano

Bianca Majchrzak​

Carmen

Tenor

Patrick MacDevitt

Don José

Soprano

Rada Tochalna

Michaela

Baritone

Finn Gilheany

Escamillo

Bass

Chris Clifford

Zuniga

April Foster

Frasquita

Adelaide Greenaway

Mercedes

Stephen Carolane

Remendado

David Lawson-Smith

Dancaire

Alicia Groves

Chorus singers

Maurice Wan

Choreographer

Alison McIntosh

BK Opera

Melbourne

Australia

Carmen Bizet

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Blanke Knochen Opera makes its debut in October, presenting a fresh take on the classic opera, Carmen.

Inspired by black-box theatre, BK Opera aims to strip back opera to its emotional core, providing a minimalist take on the extravagance usually associated with the artform.

In their debut production of Carmen, the heart of the story is reinterpreted for a modern audience. With the current epidemic of domestic violence, slut shaming and victim blaming in our culture, this is not the traditional view of Carmen as a femme fatale. Don José is no longer the eager to please ingenue transfixed by the seductress. He leads himself down the path to temptation through a misplaced sense of entitlement.

Blanke Knochen Opera will be raising money throughout their performances for local domestic violence shelters through the sale of white roses that the audience is invited to throw on the body of Carmen in the final scene.

English

Carmen by Bizet, Od (2016/2016), Režie Kate Millett,, Dirigent James Penn

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény