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Mezzo-soprano

Zuzana Šveda

Carmen

Kateřina Jalovcová

Jolana Fogasova

Monika Fabianová

Vesselina Kasarova

Soprano

Eva Hornyáková

Michaela

Katarína Juhásová-Štúrová

Adriana Kohútková

Helena Becse Szabó

Tenor

Luciano Mastro

Don José

Miroslav Dvorský

Boldizsár László

Michal Lehotský

Mickael Spadaccini

Baritone

Jakub Kettner

Escamillo

Sergej Tolstov

Dalibor Jenis

Nikoloz Lagvilava

Miriam Maťašová

Frasquita

Andrea Vizvári

Jana Bernáthová

Michaela Šebestová

Mercedes

Denisa Šlepkovská

Ján Babjak

Remendado

Jozef Kundlák

František Ďuriač

Dancaire

Ján Ďurčo

Roman Krško

Filip Tůma

Morales

Lubomír Popik

Petr Císař

Bass

Mikuláš Doboš

Zuniga

Ján Galla

Conductor

Dušan Štefánek

Rastislav Stur

Robert Jindra

Stage director

Marián Chudovský

Set designer

Jozef Ciller

Costume designer

Peter Čanecký

Choreographer

Jozef Dolinský

Chorus master

Ladislav Kaprinay

Slovak National Theatre

Others

Bratislava Boys' Choir

francoščina

Bratislava

Slovakia

Slovak National Theatre Historical Building

Carmen Bizet

Public

slovaščina

Approved

Where is the difference between a romantic and a realistic story? As if Georges Bizet was asking us this question through the opera Carmen. In addition to images of love, the work of French Romanticism presents us with a fairly ordinary life of completely ordinary people, in colors that often resemble the realistic images of brush masters, so a little tired of the ethereal language of Romanticism. So how is it? What does the story of the young officer Don José tell us, who lets himself be enchanted by the beautiful Gypsy Carmen, forgets his dear Micaël, deserts himself as an honor to his officer's honor and goes to the mountains with the smugglers alongside the dark beauty? Georges Bizet's romantic musical language is intertwined with a story that is even worryingly real. Is Don Jose's love for Carmen romantic? Certainly not - because it's not enriching love, but pure passion, which robs Don José of his soul and honor. And so a strange, provocative contrast of romantic-non-romantic story emerges, which is so extremely appealing that we keep coming back to it again and again. And it is certainly no coincidence that Bizet's Carmen evokes in us a bit of references to the best works of Italian opera realism - verism (from the word "vero" - "truth").

English

Carmen by Bizet, Od (2017/2018), Režija: Marián Chudovský,, Dirigent Dušan Štefánek, Rastislav Stur, Robert Jindra, Slovak National Theatre Historical Building, Bratislava, Slovakia

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