Name: Carmina Burana
Start: 2024-04-05T00:00:00.000Z
End: 2024-04-05T00:00:00.000Z
Location: Bolshoi Theatre of Belarus

Admin

Bolshoi Theatre of Belarus

Conductor

Nikolai Koliadko

Vladimir Ovodok

Chorus master

Nina Lomanovich

Set designer

Ernst Heidebrecht

Yaroslav Voshchak

Singer

Soprano

Anastasia Malevich

Baritone

Alexey Makshantsev

Tenor

Alexander Gelakh

Konstantin Belokhvostik

Soloist

Lyudmila Khitrova

Vladislav Kolyada

Nadezhda Filippova

Carmina Burana

Minsk

Belarus

Carmina Burana: Carmina Burana Orff

Public

Ayyappa swamy y

Approved

"Carmina Burana" – this is how the manuscript, which was written for about 1300 years ago and was founded in the beginning of the XIX century in one of the abbey in foothills of the Bavarian Alps, is called. The name of the manuscript was given by its creator J. A. Schmeller. “Carmina” from the Latin language is translated as “songs”. “Burana” is the name of the area, where manuscripts with poetry of unknown poets, peasants, craftsmen and also vagrants (that is “tramps”, “wanderers”, this is how the wandering poets were called in the Middle Ages). The collection “Carmina Burana” was first published in 1847, Carl Orff received only the fourth edition. There were more than 250 poems on various topics in the collection, and on the first page Carl Orff found the famous painting “Fortune’s Wheel”. The poems in the collection were written in the Medieval Latin language. Orff has left the original text in inviolability by choosing 24 poems about love, spring, drinking and satirical songs and several hymn-like strophes. The composer defined the genre of his work as “Society songs for singers and the choir accompanied by the instruments with a presentation on stage”. The story line of the stage cantata is unsteady and associative. Song and orchestra numbers correspond the contrast pictures of diverse and versatile life: joys of life, happiness, uncontrollable fun, beauty of spring nature, loving passion are glorified in ones, in the others – an uneasy life of monks and vagrants, satiric attitude towards the existence. But thoughtfulness about the changeable and powerful human destiny – the Fortune, - remains the main philosophic pivot of the cantata.

The Fortune’s wheel will never get tired of spinning
I’ll be subverbed from the peak, humiliated
At interim the other one will rise and cheer up
By the same wheel will be uplifted to the hights.

The first performance of the cantata “Carmina Burana” in 1937 created a furore. After the premiere the composer told his publisher: “Everything that I have written before, and you, unfortunately, have published, you can destroy. My set of works starts with “Carmina Burana”. The cantata “Carmina Burana” that was previously performed on the territory of the former Soviet Union only in the concert version for the first time received its stage life in the production of Valentin Elizariev. The choreographer created his own plot line of the ballet from the florid crowd of poets, their friends, monks, sinners, by showing with a close shut the images of a Poet, Beloved, the Scarlet Woman and Abbot. Soloists and ballet artists, and also the soloists of the opera and the choir of the theatre participate in the grandiose vocally-choreographic performance.

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