Name: Carmina Burana
Start: 2024-04-05T00:00:00.000Z
End: 2024-04-05T00:00:00.000Z
Location: Bolshoi Theatre of Belarus

Admin

Bolshoi Theatre of Belarus

Dyrygent

Nikolai Koliadko

Vladimir Ovodok

Przygotowanie chóru

Nina Lomanovich

Scenografia

Ernst Heidebrecht

Yaroslav Voshchak

Śpiewak

Sopran

Anastasia Malevich

Baryton

Alexey Makshantsev

Tenor

Alexander Gelakh

Konstantin Belokhvostik

Soloist

Lyudmila Khitrova

Vladislav Kolyada

Nadezhda Filippova

Carmina Burana

Mińsk

Białoruś

Carmina Burana: Carmina Burana Orff

Public

Ayyappa swamy y

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Reżyseria

Reżyseria światła

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Mezzosopran

Bas - baryton

Kontralt

Alto

Continuo

Głos dziecięcy

Silent

Spoken

"Carmina Burana" – this is how the manuscript, which was written for about 1300 years ago and was founded in the beginning of the XIX century in one of the abbey in foothills of the Bavarian Alps, is called. The name of the manuscript was given by its creator J. A. Schmeller. “Carmina” from the Latin language is translated as “songs”. “Burana” is the name of the area, where manuscripts with poetry of unknown poets, peasants, craftsmen and also vagrants (that is “tramps”, “wanderers”, this is how the wandering poets were called in the Middle Ages). The collection “Carmina Burana” was first published in 1847, Carl Orff received only the fourth edition. There were more than 250 poems on various topics in the collection, and on the first page Carl Orff found the famous painting “Fortune’s Wheel”. The poems in the collection were written in the Medieval Latin language. Orff has left the original text in inviolability by choosing 24 poems about love, spring, drinking and satirical songs and several hymn-like strophes. The composer defined the genre of his work as “Society songs for singers and the choir accompanied by the instruments with a presentation on stage”. The story line of the stage cantata is unsteady and associative. Song and orchestra numbers correspond the contrast pictures of diverse and versatile life: joys of life, happiness, uncontrollable fun, beauty of spring nature, loving passion are glorified in ones, in the others – an uneasy life of monks and vagrants, satiric attitude towards the existence. But thoughtfulness about the changeable and powerful human destiny – the Fortune, - remains the main philosophic pivot of the cantata.

The Fortune’s wheel will never get tired of spinning
I’ll be subverbed from the peak, humiliated
At interim the other one will rise and cheer up
By the same wheel will be uplifted to the hights.

The first performance of the cantata “Carmina Burana” in 1937 created a furore. After the premiere the composer told his publisher: “Everything that I have written before, and you, unfortunately, have published, you can destroy. My set of works starts with “Carmina Burana”. The cantata “Carmina Burana” that was previously performed on the territory of the former Soviet Union only in the concert version for the first time received its stage life in the production of Valentin Elizariev. The choreographer created his own plot line of the ballet from the florid crowd of poets, their friends, monks, sinners, by showing with a close shut the images of a Poet, Beloved, the Scarlet Woman and Abbot. Soloists and ballet artists, and also the soloists of the opera and the choir of the theatre participate in the grandiose vocally-choreographic performance.

English

Carmina Burana by Orff, od (2024/2024), Dyrygent Nikolai Koliadko, Vladimir Ovodok, Yaroslav Voshchak, Bolshoi Theatre of Belarus, Mińsk, Białoruś

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