Organization

Dyrygent

Lio Kuokman

Reżyseria

Lo Kingman

Scenografia

Allan Tsui

Kostiumy

Yoki Lai

Reżyseria światła

Maggie Law

Przygotowanie chóru

Raymond Fu

Commedia Co-Director

Peter Jordan

Korepetytor /- ka

Felix Suen

Kam Wing-chong

Śpiewak

Sopran

Janara Kellerman

Santuzza

Carol Lin

Louise Kwong

Tenor

John Daniecki

Turiddu

Jeffrey Hartman

Baryton

Grant Youngblood

Alfio

Brian Montgomery

Mezzosopran

Melody Sze

Lola

Kontralt

Cynthia Luff

Lucia

Kristin Sampson

Nedda

Yuki Ip

Canio

Tonio

Alex Tam

Beppe

Christopher Leung

Nicholas Provenzale

Silvio

Musica Viva Singers

włoski

Cavalleria rusticana -  (Rycerskość wieśniacza)

Hong Kong

Chiny

Cavalleria rusticana Mascagni (+1 More)

Public

Rycerskość wieśniacza

Pajace

chiński

angielski

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Despite their geneses over a century ago, Cavalleria rusticana and Pagliacci remain perennials on the season rosters of opera houses worldwide. In fact, they are perhaps the few best known Italian operas among audience of our time. The themes of love triangle, domestic violence, adultery and murder, so pungently depicted in these operas, reincarnate not only in popular entertainment, but also in the news headlines in reality. Regardless of the musical background of the audience, most of us would have encountered the Mascagni’s famous Intermezzo and the fragments of Leoncavallo’s “Vesti la giubba” through motion pictures, television series and commercials, and even in the unlikely context of cartoon. The longevity of the reception of the two operas can perhaps be explained by their relevance to target audience. Because of the operas’ emphasis on humanity, the works appeal to people regardless of time and geography.

Between 1888 and 1902, Sonzogno organized four competitions calling for original one-act Italian operas. Puccini had unsuccessfully submitted Le villi for the first competition. Mascagni’s opera was awarded the first prize in 1890. With the success of Cavalleria rusticana, Sonzogno was quick to seize the opportunity and continue his campaign by encouraging young composers to emulate Mascagni. Owing to the predominance of contemporary characters and references to the bottom rungs of the social ladder in these works, the term verismo (borrowed from Italian literature) became the banner and emblem of Casa Sonzogno. On the other hand, the 3000 lire cash prize was almost irresistible to any young composer determined to try his hands on opera. As a result, the decade of 1890s witnessed a flourish of new Italian operas, depicted with deliberate awareness of reality. Together with Mascagni, the subsequent winners, including Leoncavallo, Giordano and Cilea, were presented as the giovane scuola (young school) and their works were marketed as verismo operas.

English

Rycerskość wieśniacza by Mascagni, Pajace by Leoncavallo, od (2013/2013), W reżyserii Lo Kingman,, Dyrygent Lio Kuokman

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Recenzje

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca