Name: Cinderella, Op. 87
Start: 2023-10-01T00:00:00.000Z
End: 2024-01-06T00:00:00.000Z
Location: Nationaltheater

Organization

Direzione d'orchestra

Gavin Sutherland

Scenografia

Julian Crouch

Costumi

Luci

Natasha Katz

Maestro ripassatore

Charles Andersen

Jason Fowler

Jonathan Howells

Video

Daniel Brodie

Bayerische Staatsoper

Frank McCullough

Oliver Haller

Orchestra

Bayerisches Staatsorchester

Ballet

Bayerischen Staatsballett

Bayerisches Junior Ballett München

Coreografia

Christopher Wheeldon

Cinderella, Op. 87 -  (Cenerentola, Op. 87)

Monaco di Baviera

Germania

Nationaltheater

Baden-Baden

Festspielhaus Baden-Baden

Cinderella, Op. 87

Private

Public

Cenerentola, Op. 87

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Stage Manager

Suono

Traduzione

Trucco

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Cantante

Basso-baritono

Basso

Baritono

Soprano

Mezzosoprano

Tenore

Controtenore

Alto

Mimi

Narrazione

Voce bianca

CINDERELLA

Choreographie: Christopher Wheeldon
Musik: Sergej Prokofjew
Einstudierung: Charles Andersen, Jason Fowler, Jonathan Howells

Premiere: 19. November 2021

CINDERELLA - Rehearsal Trailer

Nach seinem Familienballett Alice im Wunderland kehrte Choreograph Christopher Wheeldon in der Spielzeit 21/22 mit seiner Version von Cinderella ans Bayerische Staatsballett zurück. Auf die Komposition von Sergej Prokofjew hat Wheeldon ein einfallsreiches und liebenswertes Handlungsballett für alle Generationen geschaffen. Über 40 Tänzer:innen in rund 360 Kostümen von Julian Crouch sind an der aufwändigen Produktion beteiligt. Das Werk, das 2012 als Koproduktion zwischen dem Dutch National Ballet und dem San Francisco Ballet entstanden ist, feierte im November 2021 in München Deutschlandpremiere. Für seine Choreographie orientiert sich Wheeldon am Märchen Aschenputtel der Brüder Grimm sowie an der französischen Version von Charles Perrault. Ähnlich wie schon in Alice im Wunderland schafft es Wheeldon, mit Witz und Phantasie eine Bühnenhandlung zu entwickeln, die sich dem Publikum unmittelbar erschließt. Die Szenen sind ganz aus der berühmten Ballettmusik von Sergej Prokofjew entwickelt und decken ein ganzes Spektrum an Stimmungen und Emotionen ab. Cinderella wird als eine Figur gezeigt, die auf die Kraft des Träumens vertraut, um ihrem Schicksal eine neue Wendung zu geben.

Deutsch

British choreographer Christopher Wheeldon, long since also well renowned in Munich returned to the Bayerisches Staatsballett in the 2021/22 season with his version of Cinderella. With the composition by Sergei Prokofiev, Wheeldon (associate artist of the Royal Ballet London) has once again created an imaginative and loveable narrative ballet for all generations. The piece, developed in 2012 as a co-production of the Dutch National Ballet and the San Francisco Ballet, celebrated its German premiere in Munich in November 2021. 
Wheeldon remains true to Grimm’s original Cinderella fairy tale with his choreography. More than forty dancers relate the story of the poor girl and her wicked stepmother – complete with spectacular balls, ornate shoes and an insistent prince. Similar to that already applied in Alice’s adventures in Wonderland, with wit and imagination Wheeldon manages to illustrate a world in which not only the characters open up directly to the audience – so too do the associated underlying themes, such as transformation and development. Set designer Julian Crouch draws for the stage set and is also responsible for the 360 costumes, which afford the choreographic work an impressive background framework.

English

Cenerentola, Op. 87 by Prokofiev, Da (2023/2024), Direttore d'orchestra Gavin Sutherland, Nationaltheater, Monaco di Baviera, Germania

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Ensemble

Programma, informazioni e sinossi

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