Organization

Conductor

Anna Sushon

Singer

Maida Karišik

Bärtige Dame Olga / Affe

Dieter Kschwendt-Michel

Zirkusdirektor

Bartolo Musil

Dompteur Rudolfo / Bär

Sebastian Huppmann

Nina Maria Plangg

Kleine Zuversicht

Annette Schönmüller

Hochseilartistin Lucie / Tigerin

Günther Strahlegger

Clown Bruno / Elefant

Stage director

Kristine Tornquist

Lighting designer

Martin Knaupp

Loma Döring

Costume designer

Andrea Költringer

Set designer

Jakob Scheid

Repetiteur

Rossen Gergov

Jimmy Chiang

Dramaturge

Alois Hofinger

sirene Operntheater

Orchestra

Croatian Military Orchestra

vācu

Circus

Zagreb

Croatia

siren opera theater: CIRCUS - Great Opera | 1st act
https: //www.sirene.at/archiv/2006-200 ...| 2nd act:https://youtu.be/MQFtCyCTrB4
Switch on subtitles! CIRCUS - Great Opera - Act 2 Text: Kristine Tornquist - Music: Jury Everhartz Art Nouveau Theater Vienna | September 2006

00:00 0. Circus
00:46 0. Overture
03:54 1. The tigress
09:38 2. Forward!
17:08 3. Olga and Rodolfo
23:09 4. The parade
27:58 5. Rodolfo and Lucie
37:14 6. The dressage
42:16 7. Lucie and Bruno
48:40 8. Bearded lady striptease
57:18 9. The bear
1:00:40Applause 1st act. When the box office with the entrance fees falls to the floor for the ringmaster, the sleeping circus wakes up and doom takes its course. The animals wake up in their narrow cages, groping restlessly in their cages, because the tigress has dreamed of hunt and blood. The ringmaster calls his artists. The performance is about to start, the audience is already there and everything seems very peaceful. But Rodolfo, the tamer in the small circus, has stolen the circus director's cash register and wants to disappear with it before the performance. But he is blackmailed by the lover of the ringmaster, the bearded lady Olga, who saw him doing it. Because she wants to get rid of the circus director's daughter, the artist Lucie, With which she is on the one hand in constant quarrel and on the other hand stands in her way with the secretly beloved clown Bruno. For her silence, Olga demands that Rodolfo take Lucie with him on his escape. Rodolfo also easily wraps Lucie around his finger with his promises, because Lucie is as ambitious as Rodolfo, who seems to be a better match for her than Bruno. In the meantime the performance begins, the ringmaster announces his sensations and first asks Rodolfo with the Siberian tigress into the ring. Little Bruno overheard Lucie and Rodolfo making plans and is almost bursting with jealousy. In order to get revenge, he penetrates his rival's cloakroom, believing his beautiful costume to be the attack, but to his surprise he finds the Zikus cash register and a pistol in the packed travel bag. He takes both to blacken Rodolfo at the ringmaster and to bring her back. But he is caught by Lucie on the way there. Lucie thinks Bruno is the thief, sneers at him and takes the cash register from him with great contempt. However, she does not bring the cash register to her father straight away. In the meantime, the bearded lady is shown dancing with the bear in the arena. Finally, Lucie decides to keep the money and take it with her on her secret escape with Rodolfo. The bear praises the well-made world at the center of which it stands. Bearded Lady Olga / Monkey. Maida Karišik ringmaster. Dieter Kschwendt-Michel trainer Rudolfo / Bär. Bartolo Musil Small confidence. Nina Maria Edelmann (formerly Plangg) high wire artist Lucie / Tigress. Rochelle Menus Clown Bruno / Elephant. Günther Strahlegger The Red Orchestra Violin 1. Amora de Swardt Violin 2. Chin Wen Yang Viola. Ines Nowak-Dannoritzer double bass. Franz König Flute 1st Claudia Schiske Flute 2nd Gerhard Mair Clarinet. Thomas Schön bass clarinet. Barbara Schuch bassoon. Angelika Vladar Trumpet 1st Zoltan Kellner Trumpet 2nd Alexander Simon Horn. Gergely Mályusz trombone 1st Renate Slepicka / Walter Dormeier trombone 2nd Michael Bock tuba. Michael Neuwirth percussion. Kevan Teherani. Matthäus Rößler Music. Jury Everhartz Text and direction. Kristine Tornquist conductor. Anna Sushon stage. Jakob Scheid. Kristine Tornquist costume. Andrea Költringer coach. Rossen Gergov. Chi-Bun Jimmy Chiang assistant director and stage manager. Sabine Maringer. Esther Christina Lienbacher mask. Beate Lentsch-Bayerl flight corset. Markus Kuscher prop. Irene Kainz. Natalia Kukelka costume assistant. Yvonne Everhartz Tango Choreography. Rafael Ramirez stage motors. Vinny Drexler. Paul Schneider technology. Herbert Bisovsky. Gary Mason light. Martin Knaupp. Loma Döring Musicological support. Michael Friebel production manager. Reinhold Rieger production manager. Maria Haneder-Kulterer Kristine Tornquist in an interview with Radio Orange |https://youtu.be/-L1Qmyhoo-Y
A siren production | https://www.sirene.at

Komedija Theatre

Vienna

Austria

Expedithalle

Jugendstiltheater am Steinhof

Circus: Circus Everhartz

Approved

Eine Produktion von sirene und Jugendstiltheater

Circus nun ist wirklich eine große Sache. Kann man Euch noch gratulieren? Alles scheint mir um die Kleine Zuversicht herum komponiert, irgendwie schien sie mir von Anfang an das Zentrum des Ganzen zu sein. So eine wundervoll poetische Figur, Knabe Euphorion. Ein Kraftfeld, magnetisch. (Mag ich oft besonders gern die großen schweigenden Figuren, auch im Sprechtheater. z.B. bei Bernhard.) Die Choreographie ist wirklich einnehmend, das Tänzerische der Sänger ganz verblüffend, besonders der Tigerin natürlich. Die ständige Bewegung auf der sich drehenden Manege wirkt hynotisierend-psychedelisch, erinnert natürlich auch an alte Revuefilme, (keine Treppe im Zirkus) und das Spiel hinter und vor dem Glamourvorhang : fein! Vieles ist sehr anrührend, das Solo der traurigen behaarten Dame (Frida Kahlo?), der arme Clown...Irgendwie seid Ihr schon fast klassizistisch, oder? Und Musik! Ich finde die leisen Passagen und großen Soli geraten Dir besonders wunderschön und man wünscht sich gerne noch mehr davon! Mir gefällt auch besonders wie Du mit Zitaten umgehst, die nie nur Selbstzweck sind sondern immer Schichten Bewußtsein hinzugeben. (Also richtig feine Ironie, romantische.) Manchmal führt es geradzu zwangslaufig auf ein solches Zitat, bevor es ausgesprochen ist. Bewunderung, Staunen. Alles ist groß und dicht und vielschichtig und sicher habe ich nur einen kleinen Teil davon verstanden, werd's mir wieder ansehen. Isabelle Gustorff per Post

Deutsch

A production of sirene undArt Nouveau Theatre

Circus now really is a big deal. Can you still be congratulated? Everything seems to me to be composed around Little Confidence, somehow she seemed to be the center of it all from the start. Such a wonderfully poetic character, boy Euphorion. A force field, magnetic. (I often particularly like the big, silent figures, also in spoken theatre. E.g. with Bernhard.) The choreography is really captivating, the dancing of the singers is quite amazing, especially the tigress, of course. The constant movement on the rotating arena has a hypnotic-psychedelic effect, of course also reminiscent of old revue films (no stairs in the circus) and the game behind and in front of the glamor curtain: fine! Much is very touching, the solo of the sad hairy lady (Frida Kahlo?), the poor clown... And music! I think the quiet passages and big solos are particularly beautiful and you want more of them! I also particularly like how you deal with quotes, which are never just an end in themselves but always add layers of consciousness. (So ​​really fine irony, romantic.) Sometimes it almost inevitably leads to such a quote before it is said. admiration, amazement. Everything is big and dense and complex and I'm sure I only understood a small part of it, I'll watch it again. Isabelle Gustorff by mail

English

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