Name: Concerto de Natal
Start: 2022-12-22T00:00:00.000Z
End: 2022-12-23T00:00:00.000Z
Location: Teatro Municipal Joaquim Benite

Organization

Conductor

Antonio Pirolli

Chorus master

Giampaolo Vessella

Singer

Tenor

Luis Gomes

Tenore

Baritone

André Baleiro

Baritono

Teatro Nacional de São Carlos

Others

Choir of the National Theater of São Carlos

Orchestra

Portuguese Symphony Orchestra

Concerto de Natal

Lisbon

Portugal

Teatro Camões

Almada

Teatro Municipal Joaquim Benite

Concerto de Natal: Concert Various

Public

Messa di Gloria

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Contralto

Mezzo-soprano

Bass

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Messa di Gloria é o título apócrifo pelo qual hoje é universalmente conhecida uma Missa de Giacomo Puccini para orquestra, coro a 4 vozes e solistas, composta e estreada em 1880 em Lucca, terra natal do compositor. Escrita na juventude, a obra surgiu como exercício para obter o diploma no Instituto Musicale Luigi Boccherini da sua cidade, instituição onde se desenrolou a primeira apresentação mundial. Partes da Missa (o «Credo», por exemplo) já tinham sido escritas e pensadas como composições autónomas. Alguma da sua música seria também reutilizada nas primeiras óperas, como Manon Lescaut («Agnus Dei») ou Edgar («Kyrie»).

Apesar do bom acolhimento que obteve na estreia, a obra cairia no quase esquecimento durante mais de meio século e apenas seria de novo apresentada em 1952. Causador desta estranha indiferença, numa época em que a obra lírica de Puccini era uma das mais amadas e ouvidas no mundo, talvez tenha sido o facto de nenhuma das vozes solistas ser feminina.

português

Messa di Gloria is the apocryphal title by which a Mass by Giacomo Puccini for orchestra, 4-voice choir and soloists is now universally known, composed and premiered in 1880 in Lucca, the composer's birthplace. Written in his youth, the work emerged as an exercise to obtain a diploma at the Instituto Musicale Luigi Boccherini in his city, the institution where the first world performance took place. Parts of the Mass (the «Credo», for example) had already been written and thought of as autonomous compositions. Some of his music would also be reused in early operas, such as Manon Lescaut («Agnus Dei») or Edgar («Kyrie»).

Despite the good reception it received at its premiere, the work would almost fall into oblivion for more than half a century and would only be presented again in 1952. The cause of this strange indifference, at a time when Puccini's lyrical work was one of the most loved and heard in the world, perhaps it was the fact that none of the solo voices were female.

English

Concerto de Natal by Puccini, Frá (2022/2022), Hljómsveitarstjóri Antonio Pirolli, Teatro Municipal Joaquim Benite, Almada, Portugal

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