Name: Così fan tutte
Start: 2016-11-05T00:00:00.000Z
End: 2017-05-06T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Admin

Organization

Conductor

Friedrich Haider

Ondrej Olos

Stage director

Marek Weiss

Set designer

Hanna Szymczak

Costume designer

Nadežda Šimunová

Chorus master

Ladislav Kaprinay

Singer

Soprano

Eva Hornyáková

Fiordiligi

Jana Šrejma Kačírková

Mezzo-soprano

Terézia Kružliaková

Dorabella

Monika Fabianová

Denisa Hamarová

Baritone

Daniel Čapkovič

Guglielmo

Aleš Jenis

Tenor

Martin Gyimesi

Ferrando

Juraj Hollý

Aleš Briscein

Aleksander Kunach

Jana Jurícková

Despina

Bass

František Ďuriač

Don Alfonso

Peter Mikuláš

Slovak National Theatre

italiensk

Così fan tutte

Bratislava

Slovakia

Slovak National Theatre Historical Building

Così fan tutte Mozart

Public

slovakisk

Approved

Who is really the victim in the relationship and against whom is the strict finger of moral judgment rising? Don't miss WA Mozart's comic opera COSÌ FAN TUTTE and the story of a "non-binding" exchange of fiancés, which will reveal an unexpected and irreversible truth.

Just as Wolfgang Amadeus Mozart's personality is still mysterious, so many of his opuses hide strange secrets. Not only how long the circumstances of the origin of the well-known Requiem have been mythical, or those that concern the author's difficult-to-understand compositional genius. These are content puzzles facing both performers and audiences: how to understand and interpret some of Mozart's operas and their ideological message. The comic opera Così fan tutte is one of them. The basic doubt here applies to the genre of the work itself. Is it really a comic opera, or do the events presented in comedy actually have the most serious meaning and effect? A "non-binding" exchange of couples will reveal an unexpected and irreversible truth among young couples. And the doubts also concern whether who is in fact the victim and against whom the strict finger of moral judgment rises. Are they women, as the name suggests ("They're all like that"), or should the opera be renamedCosì fan tutti ("Everyone is like that")? Namely, to make matters worse, Master Mozart coded the puzzle into the work: are the two girls, Fiordiligi and Dorabella, really just victims of an intrigue that the men had foolishly conceived? - or have they overlooked their intention right from the start and are now having a good time at the expense of the guys playing their game? So the question remains, what is this all about? Are they all so unfaithful? Not before: everyone is so crazy - and men naive !?

English

Forestilling krediteringer (Medvirkende & Produktionshold )

Medvirkende

Besætning