Name: Così fan tutte
Start: 2016-11-05T00:00:00.000Z
End: 2017-05-06T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Admin

Organization

Дирижер

Friedrich Haider

Ondrej Olos

Режиссер-постановщик

Marek Weiss

Художник-постановщик

Hanna Szymczak

Художник по костюмам

Nadežda Šimunová

Хормейстер

Ladislav Kaprinay

Певец

Сопрано

Eva Hornyáková

Фьордилиджи

Jana Šrejma Kačírková

Меццо-сопрано

Terézia Kružliaková

Дорабелла

Monika Fabianová

Denisa Hamarová

Баритон

Daniel Čapkovič

Гульельмо

Aleš Jenis

Тенор

Martin Gyimesi

Феррандо

Juraj Hollý

Aleš Briscein

Aleksander Kunach

Jana Jurícková

Деспина

Бас

František Ďuriač

Дон Альфонсо

Peter Mikuláš

Slovak National Theatre

итальянский

Così fan tutte -  (Так поступают все)

Братислава

Словакия

Slovak National Theatre Historical Building

Così fan tutte Mozart

Public

Так поступают все

словацкий

Одобрено

Who is really the victim in the relationship and against whom is the strict finger of moral judgment rising? Don't miss WA Mozart's comic opera COSÌ FAN TUTTE and the story of a "non-binding" exchange of fiancés, which will reveal an unexpected and irreversible truth.

Just as Wolfgang Amadeus Mozart's personality is still mysterious, so many of his opuses hide strange secrets. Not only how long the circumstances of the origin of the well-known Requiem have been mythical, or those that concern the author's difficult-to-understand compositional genius. These are content puzzles facing both performers and audiences: how to understand and interpret some of Mozart's operas and their ideological message. The comic opera Così fan tutte is one of them. The basic doubt here applies to the genre of the work itself. Is it really a comic opera, or do the events presented in comedy actually have the most serious meaning and effect? A "non-binding" exchange of couples will reveal an unexpected and irreversible truth among young couples. And the doubts also concern whether who is in fact the victim and against whom the strict finger of moral judgment rises. Are they women, as the name suggests ("They're all like that"), or should the opera be renamedCosì fan tutti ("Everyone is like that")? Namely, to make matters worse, Master Mozart coded the puzzle into the work: are the two girls, Fiordiligi and Dorabella, really just victims of an intrigue that the men had foolishly conceived? - or have they overlooked their intention right from the start and are now having a good time at the expense of the guys playing their game? So the question remains, what is this all about? Are they all so unfaithful? Not before: everyone is so crazy - and men naive !?

English

Участие в выступлениях (Исполнители и постановщики )

Исполнители

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