Name: Daniel Harding
Start: 2016-06-19T00:00:00.000Z
End: 2016-06-19T00:00:00.000Z
Location: Palazzo Mauro De André

Admin

Ravenna Festival

Håkan Hardenberger

trumpet

Dirigat

Daniel Harding

Orchestra

Mahler Chamber Orchestra

Instrument

Trumpeter

Trumpet 1

Ravenna

Italien

Palazzo Mauro De André

Public

Concert

Oratorium / Orchestral

Intégrales

Trumpet Concerto

Sinfonie Nr. 4 in B-Dur, op. 60

Larissa Andrea Pereira

Genehmigt

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Bühnenbild

Chefdirigent Musiktheater

Chor

Chordirektion

Choreographie

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Kostümbild

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Orchester

Orchestra Operations

Photographer

Poet

Regie

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Mezzosopran

Sänger

Tenor

Bass

Sopran

Bariton

Bass-Bariton

Countertenor

Alto

Continuo

Kinderstimme

Singer

Sprechrolle

Stumme Rolle

Daniel Harding: Intégrales Varèse (+2 More)

What have Beethoven’s symphonies got in common with the scores of Edgar Varèse? An answer is provided by Daniel Harding: from the rostrum of the Mahler Chamber Orchestra, he is one of the very few who can match the timeless classic feel of the first to the contemporary research of the second. The orchestra, a “nomadic” ensemble, walks the listener through the meaning of its three-word slogan: Live, Play, Dream. Varèse’s fascinating “spatial projections”, so futuristic at the time of composition (1925) and meant to investigate the subtle relationship between a sound and its source, will be followed by the Italian début of a work by Turnage, a contemporary English composer influenced by Miles Davis’s electric jazz, enhanced by Hardenberger’s virtuosic trumpet: once again, a collision of distant universes.

English

Cosa lega le sinfonie di Beethoven alle partiture di Edgar Varèse? A rispondere è Daniel Harding, sul podio della Mahler Chamber Orchestra, capace come pochi di accostare la classicità senza tempo del primo alla ricerca contemporanea del secondo. L’orchestra accompagna l’ascoltatore attraverso il senso delle tre parole chiave che questo ensemble “nomade” utilizza per definirsi: vivere, suonare, sognare. Le affascinanti e futuribili (così apparivano nel 1925, appena composte) “proiezioni spaziali” di Varèse, tese a indagare la sottile relazione tra il suono e il luogo nel quale nasce, saranno seguite dalla prima esecuzione italiana di un’opera di Turnage, un compositore inglese che si è formato ascoltando il jazz elettrico di Miles Davis, esaltata dai virtuosismi della tromba di Håkan Hardenberger. Ecco, ancora, la collisione di universi lontani.

italiano

Daniel Harding by Varèse, Turnage, Beethoven, Ab (2016/2016), Dirigat Daniel Harding, Palazzo Mauro De André, Ravenna, Italien

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Ensemble

Programm, Über & Zusammenfassung

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte