Name: Death in Venice
Start: 2013-06-14T00:00:00.000Z
End: 2013-06-26T00:00:00.000Z
Location: London Coliseum

Admin

Organization

Chanteur

Ténor

John Graham-Hall

Gustav von Aschenbach

Baryton

Andrew Shore

Voyageur

Contre-ténor

Tim Mead

Voix d'Apollon

Direction d'orchestre

Edward Gardner

Décors

Tom Pye

Costumes

Chloe Obolensky

Lumières

Jean Kalman

Chorégraphie

Kim Brandstrup

Acteur

Rôle muet

Laura Caldow

Polish mother

Mia Angelina Mather

Daughters of polish mother

Xhuliana Shenu

Mise en scène

Deborah Warner

Direction de choeur

Paul Brough

Piano

Murray Hipkin

Sam Zaldivar

Tadzio

Marcio Teixeira

Jaschiu

Peter Van Hulle

Hotel porter

Paul Napier-Burrows

Boatman

David Newman

Hotel waiter

Soprano

Anna Dennis

Strawberry seller

Charles Johnston

Guide à Venise

Constance Novis

Lace seller

Lyn Cook

Newspaper seller

Richard Edgar-Wilson

Glassmaker

Adrian Dwyer

Strolling player 1

Mezzo-soprano

Strolling player 2

Marcus Farnsworth

English clerk

Madeleine Shaw

Beggar woman

Elderly Fop

Gondolier

Philip Daggett

Antony Rich

Hotel Manager

Hotel Barber

The Player

Dionysus

Jonathan McGovern

Restaurant waiter

Priest

Video

Finn Ross

English National Opera

Others

ENO Chorus

Orchestra

ENO Orchestra

Joyce Henderson

Death in Venice -  (Mort à Venise)

Londres

Royaume-Uni

London Coliseum

Deborah Warner's beautiful and evocative production of Britten's final operatic masterpiece has been acclaimed as an 'exquisitely achieved marriage of music, drama and design' (The Independent). In Britten's luminous and compelling interpretation of Thomas Mann's classic novella, the ageig writer Gustav von Aschenbach's infatuation witht he Polish boy Tadzio and his subsequent decliena re portrayed in a 'remarkable and harrowingly believable' performance (The Guardian) by John Graham-Hall, who had already won golden opinions for singing the role of Aschenbach at La Scala. The superb ENO Chorus and orchestra are conducted by Edward Gardner, a long-standing champion of Britten's music.

Death in Venice by B. Britten, from English National Opera, 2013. Directed by Deborah Warner, conductor Edward Gardner, starring Tim Mead, Marcio Teixeira, Andrew Shore, Joyce Henderson, Sam Zaldivar, Laura Caldow, John Graham-Hall and Mia Angelina Mather/Xhuliana Shehu. Performed in English and subtitled in English, German, French and Korean.

Britten designed his adaptation of Thomas Mann's novel as an atmospheric portrait of a lost man with lots of movement on stage. Deborah Warner not only skilfully works with this premise, but also presents a Venice with a view with imaginative backdrops. Graham-Hall's eruptive vocal performance is not crushed by this, however.

At the English National Opera, Deborah Warner has been directing Benjamin Britten's final opera, Death in Venice, conducted by Edward Gardner.

Death in Venice, the last opera by Benjamin Britten, was composed based on the novella by Thomas Mann of the same name, which inspired at least one other celebrated artist, the filmmaker Luchino Visconti. Britten's opera was first performed at Aldeburgh Festival in 1973, just two years after the cinema release of Visconti's film, which Britten never saw. The complicated subject of the opera required a lot of preparation. Britten, who was already very ill, often expressed his fear that he would not be able to finish it. He even postponed an important operation in order to finish the score. Despite his best efforts, he was not able to conduct his piece, neither for its first performance, which he heard on the radio, nor for its recording.

Deborah Warner's classic staging respects Britten's world and perfectly blends oneirism and a sense of journey, both iconic elements of the piece. The staging and lighting immerse the audience in a Venice being plagued by its canal water. Like in Korngold's work nearly a century earlier, this water bears a morbid message: all of Britten's opera is marked by images of death, especially those presented by seven mysterious characters (all played by Andrew Shore), which arise during this cholera epidemic that strikes Venice and forces Tadzio's family to leave the area.

Gustav von Aschenbach (John Graham-Hall) is a writer searching for inspiration, who leaves for Venice on the advice of a mysterious character he meets in a cemetery. Despite the many characters on stage throughout the opera, Aschenbach is omnipresent, and the entire piece seems like a rite of passage or an inner journey for the character. Tadzio, a silent role, is played, as is often the case, by a dancer (Sam Zaldivar). Edward Gardner is at the head of the chorus and the English National Opera Orchestra, who fully respect the composer's stylistic legacy.

Photo: Sam Zaldivar (Tadzio) and John Graham-Hall (Gustav von Aschenbach) © Hugo Glendinning

Deborah Warner’s beautiful and evocative production of Britten’s final operatic masterpiece has been acclaimed as an "exquisitely achieved marriage of music, drama and design" (The Independent). In Britten’s luminous and compelling interpretation of Thomas Mann’s classic novella, the ageing writer Gustav von Aschenbach’s infatuation with the Polish boy Tadzio and his subsequent decline are portrayed in a "remarkable and harrowingly believable" performance (The Guardian) by John Graham-Hall, who had already won golden opinions for singing the role of Aschenbach at La Scala. The superb ENO chorus and orchestra are conducted by Edward Gardner, a long-standing champion of Britten’s music.

Death in Venice Britten

Public

Mort à Venise

anglais

français

Valide

Watch full performance here: Death in Venice (2013)

Death in Venice - Preview clip

At the English National Opera, Deborah Warner has been directing Benjamin Britten's final opera, Death in Venice, conducted by Edward Gardner.

Death in Venice, the last opera by Benjamin Britten, was composed based on the novella by Thomas Mann of the same name, which inspired at least one other celebrated artist, the filmmaker Luchino Visconti. Britten's opera was first performed at Aldeburgh Festival in 1973, just two years after the cinema release of Visconti's film, which Britten never saw. The complicated subject of the opera required a lot of preparation. Britten, who was already very ill, often expressed his fear that he would not be able to finish it. He even postponed an important operation in order to finish the score. Despite his best efforts, he was not able to conduct his piece, neither for its first performance, which he heard on the radio, nor for its recording.

Deborah Warner's classic staging respects Britten's world and perfectly blends oneirism and a sense of journey, both iconic elements of the piece. The staging and lighting immerse the audience in a Venice being plagued by its canal water. Like in Korngold's work nearly a century earlier, this water bears a morbid message: all of Britten's opera is marked by images of death, especially those presented by seven mysterious characters (all played by Andrew Shore), which arise during this cholera epidemic that strikes Venice and forces Tadzio's family to leave the area.

Gustav von Aschenbach (John Graham-Hall) is a writer searching for inspiration, who leaves for Venice on the advice of a mysterious character he meets in a cemetery. Despite the many characters on stage throughout the opera, Aschenbach is omnipresent, and the entire piece seems like a rite of passage or an inner journey for the character. Tadzio, a silent role, is played, as is often the case, by a dancer (Sam Zaldivar). Edward Gardner is at the head of the chorus and the English National Opera Orchestra, who fully respect the composer's stylistic legacy.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble