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Organization

Cantante

Tenor

John Graham-Hall

Gustav von Aschenbach

Barítono

Andrew Shore

El Viajero

Contratenor

Tim Mead

La voz de Apolo

Director(a) orquestal

Edward Gardner

Escenógrafo(a)

Tom Pye

Diseñador(a) de vestuario/Figurinista

Chloe Obolensky

Diseñador(a) de iluminación

Jean Kalman

Coreógrafo(a)

Kim Brandstrup

Actor/actriz

Papel mudo

Laura Caldow

Polish mother

Mia Angelina Mather

Daughters of polish mother

Xhuliana Shenu

Director(a) de escena

Deborah Warner

Director(a) coral

Paul Brough

Pianista

Murray Hipkin

Sam Zaldivar

Tadzio

Marcio Teixeira

Jaschiu

Peter Van Hulle

Hotel porter

Paul Napier-Burrows

Boatman

David Newman

Hotel waiter

Soprano

Anna Dennis

Strawberry seller

Charles Johnston

Guía de Venecia

Constance Novis

Lace seller

Lyn Cook

Newspaper seller

Richard Edgar-Wilson

Vendedor de cristal

Adrian Dwyer

Pedigüeña

Mezzosoprano

Strolling player 2

Marcus Farnsworth

English clerk

Madeleine Shaw

Beggar woman

Elderly Fop

Gondolier

Philip Daggett

Antony Rich

Hotel Manager

Hotel Barber

The Player

Dionysus

Jonathan McGovern

Restaurant waiter

Priest

Diseñador(a) de video

Finn Ross

English National Opera

Others

ENO Chorus

Orchestra

ENO Orchestra

Joyce Henderson

Death in Venice -  (Muerte en Venecia)

Londres

Reino Unido

London Coliseum

Deborah Warner's beautiful and evocative production of Britten's final operatic masterpiece has been acclaimed as an 'exquisitely achieved marriage of music, drama and design' (The Independent). In Britten's luminous and compelling interpretation of Thomas Mann's classic novella, the ageig writer Gustav von Aschenbach's infatuation witht he Polish boy Tadzio and his subsequent decliena re portrayed in a 'remarkable and harrowingly believable' performance (The Guardian) by John Graham-Hall, who had already won golden opinions for singing the role of Aschenbach at La Scala. The superb ENO Chorus and orchestra are conducted by Edward Gardner, a long-standing champion of Britten's music.

Death in Venice by B. Britten, from English National Opera, 2013. Directed by Deborah Warner, conductor Edward Gardner, starring Tim Mead, Marcio Teixeira, Andrew Shore, Joyce Henderson, Sam Zaldivar, Laura Caldow, John Graham-Hall and Mia Angelina Mather/Xhuliana Shehu. Performed in English and subtitled in English, German, French and Korean.

Britten designed his adaptation of Thomas Mann's novel as an atmospheric portrait of a lost man with lots of movement on stage. Deborah Warner not only skilfully works with this premise, but also presents a Venice with a view with imaginative backdrops. Graham-Hall's eruptive vocal performance is not crushed by this, however.

At the English National Opera, Deborah Warner has been directing Benjamin Britten's final opera, Death in Venice, conducted by Edward Gardner.

Death in Venice, the last opera by Benjamin Britten, was composed based on the novella by Thomas Mann of the same name, which inspired at least one other celebrated artist, the filmmaker Luchino Visconti. Britten's opera was first performed at Aldeburgh Festival in 1973, just two years after the cinema release of Visconti's film, which Britten never saw. The complicated subject of the opera required a lot of preparation. Britten, who was already very ill, often expressed his fear that he would not be able to finish it. He even postponed an important operation in order to finish the score. Despite his best efforts, he was not able to conduct his piece, neither for its first performance, which he heard on the radio, nor for its recording.

Deborah Warner's classic staging respects Britten's world and perfectly blends oneirism and a sense of journey, both iconic elements of the piece. The staging and lighting immerse the audience in a Venice being plagued by its canal water. Like in Korngold's work nearly a century earlier, this water bears a morbid message: all of Britten's opera is marked by images of death, especially those presented by seven mysterious characters (all played by Andrew Shore), which arise during this cholera epidemic that strikes Venice and forces Tadzio's family to leave the area.

Gustav von Aschenbach (John Graham-Hall) is a writer searching for inspiration, who leaves for Venice on the advice of a mysterious character he meets in a cemetery. Despite the many characters on stage throughout the opera, Aschenbach is omnipresent, and the entire piece seems like a rite of passage or an inner journey for the character. Tadzio, a silent role, is played, as is often the case, by a dancer (Sam Zaldivar). Edward Gardner is at the head of the chorus and the English National Opera Orchestra, who fully respect the composer's stylistic legacy.

Photo: Sam Zaldivar (Tadzio) and John Graham-Hall (Gustav von Aschenbach) © Hugo Glendinning

Deborah Warner’s beautiful and evocative production of Britten’s final operatic masterpiece has been acclaimed as an "exquisitely achieved marriage of music, drama and design" (The Independent). In Britten’s luminous and compelling interpretation of Thomas Mann’s classic novella, the ageing writer Gustav von Aschenbach’s infatuation with the Polish boy Tadzio and his subsequent decline are portrayed in a "remarkable and harrowingly believable" performance (The Guardian) by John Graham-Hall, who had already won golden opinions for singing the role of Aschenbach at La Scala. The superb ENO chorus and orchestra are conducted by Edward Gardner, a long-standing champion of Britten’s music.

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