Organization

Cantante

Tenore

Wonjong Lee

Noll

Nataliia Ulasevych

Basso

Frank Blees

Hammer

Drammaturgia

André Meyer

Costumi

Oliver Kostecka

Scenografia

Regia

Roland May

Direzione d'orchestra

Michael Konstantin

Musical Director

Theater Plauen-Zwickau

Orchestra

Mitglieder der Clara-Schumann-Philharmoniker Plauen-Zwickau und Gäste

tedesco

francese

Der Musikfeind

Zwickau

Germania

Gewandhaus Zwickau

Plauen

Vogtlandtheater Plauen

Der Musikfeind Genée

Public

Approvato

A tenor who feels compelled by the ridicule of his colleagues to justify why he is a virtuoso despite limited vocal material; a music enemy who singingly articulates his aversion to music; a singing teacher who turns out to be a charlatan and turns a poor man into a star tenor by the laying on of hands - Richard Genées and Jacques Offenbach's one-act operetta have some amusing surprises in store for the audience.
Both are among the personalities who had the greatest influence on the development of operetta in the second half of the 19th century. Her small, often satirical one-act plays are real gems to this day thanks to their melodic ideas and musical wit.
You can expect three pieces, three tenors, and definitely a lot more than three tones. An evening full of rarities that shouldn't be missed ...

English

Der Musikfeind by Genée, Da (2020/2022), Diretto da Roland May,, Direttore d'orchestra Michael Konstantin, Vogtlandtheater Plauen, Plauen, Germania

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Ensemble

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