Admin

Organization

Cantante

Soprano

Krassimira Stoyanova

La Marescialla, principessa di Werdenberg

Mezzosoprano

Sophie Koch

Octavian

Mojca Erdmann

Sophie

Silvana Dussmann

La signorina Marianne Leitmetzerin

Wiebke Lehmkuhl

Annina

Basso

Günther Groissböck

Il barone Ochs di Lerchenau

Baritono

Adrian Eröd

Il signore di Faninal

Tenore

Kresimir Spicer

Valzacchi

Stefan Pop

Un cantante

Tobias Kehrer

Un commissario di polizia

Martin Piskorski

Il Maggiordomo di Faninal

Franz Supper

Il Maggiordomo della Marescialla

Dirk Aleschus

Ein Notar

Roman Sadnik

Un oste

Franz Gürtelschmied

Un venditore di animali

Regia

Harry Kupfer

Costumi

Yan Tax

Scenografia

Hans Schavernoch

Direzione d'orchestra

Franz Welser-Möst

Andreja Zidaric

1. Orfana

Direzione del coro

Ernst Raffelsberger

Luci

Jürgen Hoffmann

Salzburger Festspiele

Others

Konzertvereinigung Wiener Staatsopernchor

Orchestra

Wiener Philharmoniker

tedesco

Der Rosenkavalier -  (Il cavaliere della rosa)

Salisburgo

Austria

Großes Festspielhaus

As familiar as the work may be, the 150th anniversary of Richard Strauss' birth is marked with an innovation. The festival is being held for the first time, and the opera will be presented without the cuts made since the premiere in 1911, as the censors demanded it for excessive frivolity. The numbers stand out in sharper profile, with the most notable change in the first storyline being Baron Ochs' monologue, which now clearly defines his high position.

The roles are brilliantly cast: Günther Groissböck's singing is "of the finest, with a juicy lightness that gives him an irresistible villainous charm". (morning post)

Krassimira Stoyanova as Marshal "was simply breathtaking with her vocal and dramatic presence, her perfect control of voice and exemplary clarity of pronunciation". (Pivotal Culture)

The veteran Sophie Koch's Octavian is a delightful young nobleman and Mojca Erdmann portrays a confident young bourgeoise who wants to improve herself; together they are "the perfect bouquet dream". (Neue Musikzeitung)

Franz Welser-Möst is the audience's favorite on the stands of the Vienna Philharmonic. "The audience purred. They enjoyed a mesmerizing transparency, a refinement worthy of chamber music". (SZ)

Il cavaliere della rosa by Strauss, Da (2014/2014), Diretto da Harry Kupfer,, Direttore d'orchestra Franz Welser-Möst, Großes Festspielhaus, Salisburgo, Austria

Crediti di rappresentazione (Cast e team di produzione )

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Team creativo

Ensemble

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