Name: Dialogues des Carmélites
Start: 2019-09-14T00:00:00.000Z
End: 2020-01-23T00:00:00.000Z
Location: Latvian National Opera

Admin

Organization

Singer

Bass-baritone

Rihards Mačanovskis

The Marquis de la Force

Jānis Apeinis

Soprano

Vida Mikneviciute

Blanche de la Force

Perīna Madefa

Laura Teivāne

Tenor

Raimonds Bramanis

The cavalier de la Force

Mihails Čuļpajevs

Contralto

Ilona Bagele

Madame de Croissy

Aira Rūrāne

Kristīne Gailīte

Madame Lidoine

Evija Martinsone

Mezzo-soprano

Ieva Parša

Mother Marie of the Incarnation

Laura Grecka

Inga Sļubovska-Kancēviča

Sister Constance of St. Denis

Marlēna Keine

Irma Pavāre

Mother Jeanne of the Holy Child Jesus

Diāna Bistere

Nauris Puntulis

Chaplain of the convent

Viesturs Jansons

Juris Jope

First commissioner

Guntars Ruņģis

Baritone

Kalvis Kalniņš

Second commissioner

Kārlis Saržants

Bass

Viesturs Vītols

An officer

Krišjānis Norvelis

The jailer

Conductor

Mārtiņš Ozoliņš

Jānis Liepiņš

Stage director

Vincent Boussard

Set designer

Vincent Lemaire

Costume designer

Clara Peluffo

Lighting designer

Nicolas Gilli

Choreographer

Elina Lutce

Thierry

Juris Ādamsons

M. Javelino

Sabīne Krilova

Sister Mathilde

Anna Gendelmane

Latvian National Opera

Others

Choeur Latvian National Opera Choir, Riga Dome Boys' Choir

Orchestra

Latvian National Opera Orchestra

franceză

Dialogues des Carmélites -  (Dialogues of the Carmelites)

Riga

Latvia

Public

Dialogues of the Carmelites

engleză

letonă

Approved

Dialogues des Carmélites Poulenc

The world-renowned creative team of French director Vincent Boussard make their debut at the Latvian National Opera with Francis Poulenc’s fervently written opera Dialogues of the Carmelites (1956) which tells the tale of sixteen Carmelite nuns who were brutally guillotined during the French Revolution in 1794. The story of the Martyrs of Compiègne was popularised in the beginning of the 20th century thanks to the German writer Gertrud von Le Fort’s novel Song at the Scaffold (Die Letzte am Schafott). The novice Blanche, a scared and frail teenage
girl, became the fictional heroine of the novel, and later also of Poulenc’s opera. Blanche’s fate forced her to stare into the eyes of a terrifying and hopeless world, and to try and find a way out of the trap created by her own fears.

French director Vincent Boussard describes the production: “Dialogues des Carmélites is a piece which requires the viewer to read between the lines. It is a long and, at times, pitiless meditation on death which moves from fear to liberation, from suicide to martyrdom, and so on.“ Under his direction this historically significant opera come to life on the Latvian National Opera’s stage for the first time.

English

Pasaulslavenā franču režisora ​​Vincenta Boussard radošā komanda debitē Latvijas Nacionālajā operā ar Fransisa Pulena dedzīgi uzrakstīto operu Karmelītu dialogi (1956), kas stāsta par sešpadsmit karmelītu mūķenēm, kuras tika brutāli giljotinētas Francijas revolūcijas laikā 1794. Stāsts par Kompjēnas mocekļiem tika popularizēts 20. gadsimta sākumā, pateicoties vācu rakstnieces Ģertrūdas fon Le Fortas romānam Dziesma pie ešafota ( Die Letzte am Schafott ). Iesācēja Blanša, nobijusies un trausla pusaudze
meitene, kļuva par izdomātu romāna, vēlāk arī Pulenka operas varoni. Blanšas liktenis piespieda viņu skatīties acīs šausminošajai un bezcerīgajai pasaulei un mēģināt atrast izeju no slazdiem, ko radīja viņas pašas bailes.

Franču režisors Vincents Boussard raksturo iestudējumu: “ Dialogues des Carmélites ir skaņdarbs, kurā skatītājam ir jālasa starp rindām. Tā ir ilga un brīžiem nežēlīga meditācija par nāvi, kas virzās no bailēm uz atbrīvošanos, no pašnāvības uz moceklību un tā tālāk.“ Viņa vadībā šī vēsturiski nozīmīgā opera pirmo reizi atdzīvojas uz Latvijas Nacionālās operas skatuves. .

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