Organization

Cantante

Bajobarítono

Michael Kraus

Marqués de La Force

Soprano

Nicole Car

Blanche de La Force

Tenor

Bernard Richter

Caballero de La Force

Contralto

Michaela Schuster

Madame de Croissy

Sabine Devieilhe

Sor Constanza

Mezzosoprano

Julie Boulianne

Madre María de la Encarnación

Maria Motolygina

Madame Lidoine

Wiener Staatsoper

Director(a) orquestal

Bertrand de Billy

Director(a) de escena

Magdalena Fuchsberger

Escenógrafo(a)

Monika Biegler

Diseñador(a) de vestuario/Figurinista

Valentin Köhler

Diseñador(a) de video

Aron Kitzig

Diseñador(a) de iluminación

Rudolf Rischer

Orchestra

Orchester der Wiener Staatsoper

Thomas Ebenstein

Capellán del convento

Bajo

Jack Lee

Un oficial

Andrea Giovannini

Primer comisario

Barítono

Jusung Gabriel Park

Segundo comisario

Daria Sushkova

Sor Matilde

Stephanie Maitland

Madre Juana del Niño Jesús

Szilvia Vörös

Dialogues des Carmélites -  (Diálogos de las Carmelitas)

Viena

Austria

Dialogues des Carmélites Poulenc

Public

Diálogos de las Carmelitas

Válido

Of the three operas created by Francis Poulenc, his only full-length opera is based on a historical event from the time of the »Grande Terreur« in France: on 12 July 1794, 16 nuns belonging to the Carmel of Compiègne were executed in Paris. They had continued to practise their faith communally after the abolition of all religious communities by the National Assembly, and the charge of the Revolutionary Tribunal was accordingly counter-revolutionary practices. In the most famous scene of his work - the last - Poulenc set this very execution to music, following not only the literary models for his libretto but also tradition: the nuns ascend the scaffold, singing the Salve Regina. With the sound of the axe, one voice is cut off at a time, until at the end only one singer can be heard. When this voice is also interrupted by the sharp sound of the guillotine and shortly afterwards another soprano voice intones the Veni creator spiritus, the strong interweaving of historicising and fictional elements comes to a climax, which made the   such a gripping theatrical material and helped to secure the work an important place in the opera history of the 20th century.

English

Diálogos de las Carmelitas by Poulenc, De (2024/2024), Dirigido por Magdalena Fuchsberger,, Director Bertrand de Billy, Wiener Staatsoper, Viena, Austria

Créditos de presentación (Reparto & Equipo )

Elenco

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Programa, Acerca de & Sinopsis

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