Organization

Sångare

Soprano

Sally Matthews

Blanche de La Force

Anna Prohaska

Sœur Constance de Saint-Denis

Emma Bell

Madame Lidoine

Mezzo-soprano

Sophie Koch

Mère Marie de L'incarnation

Contralto

Deborah Polaski

Madame de Croissy

Bass-baritone

Thomas Allen

Marquis de la Force

Tenor

Yann Beuron

Chevalier de La Force

Elizabeth Sikora

Mère Jeanne de l'Enfant-Jésus

Catherine Carby

Sœur Mathilde

Alan Oke

Le père confesseur du couvent

David Butt Philip

Premier Commissaire

Baritone

Michel de Souza

Deuxième Commissaire

Ashley Riches

Craig Smith

Le geôlier

Dirigent

Simon Rattle

Regissör

Robert Carsen

Scenograf

Michael Levine

Kostym designer

Falk Bauer

Ljus designer

Jean Kalman

Koreograf

Philippe Giraudeau

Royal Opera House

franska

Dialogues des Carmélites -  (Karmelitsystrarna)

London

Storbritannien

Karmelitsystrarna

engelska

Approved

Robert Carsen's award-winning production of Poulenc's sublime opera is set during the violent upheaval of the French Revolution.http://www.roh.org.uk/product...

Dialogues des Carmélites trailer (The Royal Opera)

Legendary conductor Simon Rattle on why he loves Poulenc's operatic masterpiece, and what it's like returning to the Royal Opera House.

Find out more at http://www.roh.org.uk/productions/dia...


The terror and turbulence of the French Revolution provides the backdrop for Francis Poulenc's powerful opera of faith, bravery and redemption. Poulenc created the libretto for Dialogues des Carmélites after a play of the same name by writer Georges Bernanos and the opera was given its premiere at La Scala, Milan, in 1957. It arrived at Covent Garden the following year, with a cast that featured Dame Joan Sutherland in the role of the courageous Mother Marie of the Incarnation.

Director Robert Carsen -- who staged Falstaff at the Royal Opera House in 2012 -- brings his intense and daring production of Dialogues des Carmélites to The Royal Opera for the first time. The starkly beautiful staging combines modern designs and period costumes with stunning lighting effects. It throws into relief Poulenc's radiant and exhilarating score, which draws on the resources of a large orchestra (including two harps, a piano and even a guillotine). Dialogues des Carmélites culminates in one of opera's most devastating final scenes, as Blanche embraces death with her fellow nuns to a transcendent setting of the hymn Salve Regina hymn.

Simon Rattle on Dialogues des Carmélites (The Royal Opera)

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Besättning