Organization

Festival d'Aix en Provence

Geluidsontwerper

Florent Derex

Dirigent

Maxime Pascal

Regisseur

Thomas Ostermeier

Set designer

Magda Willi

Kostuum ontwerper

Florence von Gerkan

Licht ontwerper

Urs Schönebaum

Video ontwerper

Sébastien Dupouey

Choreograaf

Johanna Lemke

Dramaturg

Christian Longchamp

Vertaler

Alexandre Pateau

Dramaturgie et collaboration artistique

Elisa Leroy

Zanger

Tenor

Birane Ba

Macheath

Bass

Christian Hecq

Jonathan Jeremiah Peachum

Mezzo-soprano

Véronique Vella

Celia Peachum

Soprano

Marie Oppert

Polly Peachum

Elsa Lepoivre

Die Spelunken-Jenny

Claïna Clavaron

Lucy

Baritone

Benjamin Lavernhe

Tiger Brown

Nicolas Lormeau

Homme de Macheath

Noam Morgensztern

Nicolas Chupin

Smith

Säge-Robert

Sefa Yeboah

Filch

Saul, dit Saule-pleureur, homme de Macheath

Jordan Rezgui

Münz-Matthias

Cédric Eekhout

Hakenfinger-Jakob

Koor meester

Philippe Franceschi

Others

Le Balcon

Amateur Choir Passerelles

Frans

Die Dreigroschenoper -  (De Driestuiversopera)

Aix-en-Provence

Frankrijk

Théâtre de l'Archevêché

Public

De Driestuiversopera

Engels

Approved

Die Dreigroschenoper Weill

Entretien avec le metteur en scène Thomas Ostermeier autour de L'opéra de quat'sous de Brecht, Weill et Hauptmann, nouvelle production du Festival d'Aix et de la Comédie-Française à découvrir du 4 au 24 juillet 2023 au Théâtre de l'Archevêché.

"To be a good man – what a nice idea! But there’s the little problem of subsistence: Supplies are scarce and human beings base." The Threepenny Opera (1928), translation Eric Bentley

Who hasn’t heard of Mackie’s lament, that penetrating refrain, smooth as a sharpened razor blade? This year, the opening of the Festival takes an exceptional twist: after Mahagonny’s success (2019), the Archevêché will host, for the first time, the troupe of the Comédie-Française under the stage direction of Thomas Ostermeier for Weill and Brecht's other world-famous hit – The Threepenny Opera. A colourful anarchistic revue, a dark collage of haunting songs and danceable rhythms, this parody of opera demystifies a genre deemed bourgeois at a time when mass music is on the rise, and sarcastically describes the Weimar Republic – a period of moral confusion which is reminiscent of our own. Maxime Pascal will lead a dozen virtuoso multi-instrumentalists from his ensemble Le Balcon to perform the original version, for the first time on stage since its creation – a version that is more forceful and in line with Weill’s wishes. A few unpublished pages will be added, and a new translation will be made in close collaboration with the artistic team.

English

De Driestuiversopera by Weill, Van (2023/2023), Geregisseerd door Thomas Ostermeier,, Dirigent Maxime Pascal, Théâtre de l'Archevêché, Aix-en-Provence, Frankrijk

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