Name: Die Dreigroschenoper
Start: 2012-02-01T00:00:00.000Z
End: 2012-02-05T00:00:00.000Z
Location: Grand Théâtre Massenet

Organization

Conductor

Samuel Jean

Stage director

Laurent Fréchuret

Costume designer

Claire Risterucci

Set designer

Stéphanie Mathieu

Assistant Stage Director

Edouard Signolet

Assistant Conductor

Frédéric Rouillon

Singer

Kate Combault

Soloists

Laetitia Ithurbide

Sarah Laulan

Opéra de Saint-Étienne

Die Dreigroschenoper -  (The Threepenny Opera)

Saint-Etienne

France

Grand Théâtre Massenet

Die Dreigroschenoper

Public

The Threepenny Opera

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Baritone

Countertenor

Bass

Bass-baritone

Contralto

Tenor

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Heir to the Opéra du Gueux presented in London in 1728 and in line with the "ballad opera", a kind of musical vaudeville where popular tunes follow one another, the Threepenny Opera , second collaboration between Bertolt Brecht and Kurt Weill , asserts itself as a major lyrical work of the 20th century .

Jonathan Peachum, king of London beggars, opposes the marriage of his daughter Polly to the king of crime Mackie-le-Surineur. An environment where everything is nothing but lies and threats, misery, agitation and greed... and where even the happy ending arises as the extension of perpetual reversals and simulations.

La Comédie and the Opéra Théâtre stéphanois are proud to jointly welcome this sober and strong production by Laurent Fréchuret who thus continues to reserve for his hometown, after the brilliant success of his Barbe-Bleue by Bartók, the premiere of his talents. lyrical. Its commitment to perpetual movement in a lively and full of surprises scenography echoes the permanent swarming of the plot. Samuel Jean, at the head of a group of musicians totally integrated into the theatrical system, reinforces from the piano the flavor of this mixture between jazz and cabaret, lyrical melodrama and popular song which made the fortune of the work.

English

Héritier de l’Opéra du Gueux présenté à Londres en 1728 et dans la droite ligne du « ballad opera », sorte de vaudeville musical où se succèdent des airs populaires, l’Opéra de quat’sous, deuxième collaboration entre Bertolt Brecht et Kurt Weill, s’affirme comme une œuvre lyrique majeure du XXe siècle.

Jonathan Peachum, roi des mendiants londoniens, s’oppose au mariage de sa fille Polly avec le roi du crime Mackie-le-Surineur. Un milieu où tout n’est que mensonges et menaces, misère, agitation et cupidité... et où même le happy end surgit comme le prolongement de perpétuels retournements et simulations.

La Comédie et l’Opéra Théâtre stéphanois sont fiers d’accueillir communément cette sobre et forte réalisation de Laurent Fréchuret qui continue ainsi à réserver à sa ville natale, après l’éclatant succès de son Barbe-Bleue de Bartók, la primeur de ses talents lyriques. Son parti pris de perpétuel mouvement dans une scénographie vive et pleine de surprises fait écho au grouillement permanent de l’intrigue. Samuel Jean, à la tête d’un groupe de musiciens totalement intégré au dispositif théâtral, renforce depuis le piano la saveur de ce mélange entre jazz et cabaret, mélodrame lyrique et chant populaire qui a fait la fortune de l’œuvre.

français

The Threepenny Opera by Weill, Noiztik (2012/2012), Zuzendaria Laurent Fréchuret,, Zuzendaria Samuel Jean, Grand Théâtre Massenet, Saint-Etienne, France

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