Organization

Direzione d'orchestra

Karl Böhm

Regia

August Everding

Scenografia

Max Bignens

Costumi

Cantante

Soprano

Edita Gruberová

Konstanze

Reri Grist

Blonde

Tenore

Francisco Javier Ariza

Belmonte

Basso

Martti Talvela

Osmin

Norbert Orth

Pedrillo

Bayerische Staatsoper

Die Entführung aus dem Serail -  (Il ratto dal serraglio)

Monaco di Baviera

Germania

August Everding staged Mozart's Singspiel at the Munich National Theater as a cheerful opera, but, as he said, with the "background" that Mozart demanded: the buffo characters were given human traits. The stage consists of bright architecture with an oriental touch, the elements of which are constantly shifting. Stage designer Max Bignens speaks of "choreographic" decoration: "We didn't want anything cumbersome for Mozart's music and, above all, no major conversions". Karl Böhm, who conducted his first "Abduction" in the National Theater in 1924, sees the depth of the music, what it contains in terms of glamor and magic, Eros and spirituality. Edita Gruberova takes center stage with accurate and flashing coloraturas. Martti Talvela as Osmin is flexible in performance and voice, cunning braggart. Thomas Holtzmann speaks Bassa Selim as a nervous, short-tempered potentate. Francisco Araiza sings the Belmonte with luminous tones. Norbert Orth is a fresh Pedrillo and Reri Grist is a blonde with natural charm and musical sensitivity.

When Joseph II was planning a "German national theatre" in 1776, which was primarily to perform German operas, Wolfgang Amadeus Mozart first thought of revising his unfinished Singspiel "Zaide" for this theatre, but then wrote a completely new one Opera on a similar subject: "The Abduction from the Seraglio".

The plot follows the then popular "Turkish Operas", which - under the impression of the defeated siege of Vienna by Turkish troops - had been written in ever new versions for some time. (Around 25 years later, Gioachino Rossini revived this scheme for the opera buffa with his operas "The Italian Woman in Algiers" and "The Turk in Italy".) However, Mozart drew the characters of his Singspiel in finer colors than he did in the was the case with most of the operas of his contemporaries. And through the generous gesture of Bassa Selim at the end of the opera, ideas of humanism and enlightenment find their way onto the Singspiel stage.

Much has been puzzled and speculated as to why the role of Pasha Selim is only for speaking; the reason for this seems to be an emergency solution: the tenor who was actually supposed to sing this role had been dismissed when the opera was being written..

Die Entführung aus dem Serail Mozart

Public

Il ratto dal serraglio

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Controtenore

Mezzosoprano

Basso-baritono

Baritono

Contralto

Alto

Continuo

Mimi

Narrazione

Voce bianca

August Everding staged Mozart's Singspiel at the Munich National Theater as a cheerful opera, but, as he said, with the "background" that Mozart demanded: the buffo characters were given human traits. The stage consists of bright architecture with an oriental touch, the elements of which are constantly shifting. Stage designer Max Bignens speaks of "choreographic" decoration: "We didn't want anything cumbersome for Mozart's music and, above all, no major conversions". Karl Böhm, who conducted his first "Abduction" in the National Theater in 1924, sees the depth of the music, what it contains in terms of glamor and magic, Eros and spirituality. Edita Gruberova takes center stage with accurate and flashing coloraturas. Martti Talvela as Osmin is flexible in performance and voice, cunning braggart. Thomas Holtzmann speaks Bassa Selim as a nervous, short-tempered potentate. Francisco Araiza sings the Belmonte with luminous tones. Norbert Orth is a fresh Pedrillo and Reri Grist is a blonde with natural charm and musical sensitivity.

When Joseph II was planning a "German national theatre" in 1776, which was primarily to perform German operas, Wolfgang Amadeus Mozart first thought of revising his unfinished Singspiel "Zaide" for this theatre, but then wrote a completely new one Opera on a similar subject: "The Abduction from the Seraglio".

The plot follows the then popular "Turkish Operas", which - under the impression of the defeated siege of Vienna by Turkish troops - had been written in ever new versions for some time. (Around 25 years later, Gioachino Rossini revived this scheme for the opera buffa with his operas "The Italian Woman in Algiers" and "The Turk in Italy".) However, Mozart drew the characters of his Singspiel in finer colors than he did in the was the case with most of the operas of his contemporaries. And through the generous gesture of Bassa Selim at the end of the opera, ideas of humanism and enlightenment find their way onto the Singspiel stage.

Much has been puzzled and speculated as to why the role of Pasha Selim is only for speaking; the reason for this seems to be an emergency solution: the tenor who was actually supposed to sing this role had been dismissed when the opera was being written...

English

Il ratto dal serraglio by Mozart, Da (1980/1980), Diretto da August Everding,, Direttore d'orchestra Karl Böhm

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