Name: Die Fledermaus
Start: 2018-12-30T00:00:00.000Z
End: 2019-01-11T00:00:00.000Z
Location: Opera Romana Cluj-Napoca

Admin

Organization

Tenor

Andrei Manea

Gabriel of Eisenstein

Soprano

Irina Săndulescu Bălan

Rosalinde

Baritone

Petru Burcă

Frank

Sorin Lupu

Alfred

Sebastian Balaj

Doctor Blind

Oana Trîmbițaș

Adele

Alexandra Topan

Spoken

Bogdan Cristian

Frosch

Dan Dumitrana

Ivan

Conductor

Adrian Morar

Stage director

Rodica Popescu Moisa

Set designer

Andrei Şchiopu

Choreographer

Adrian Mureșan

Chorus master

Emil Maxim

Corneliu Felecan

Mezzo-soprano

Ștefania Barz

Prince Orlofsky

Artistic direction adaptation

Mihaela Bogdan

Scenography adaptation

Anca Pintilie

Assistance choreography

Marius Toda

Dan Lupea

Geani Brad

Doctor Falke

Others

Choir of the Cluj National Opera

Orchestra

Operei Naționale Române Cluj-Napoca

Opera Națională Română Cluj-Napoca

Ballet

Ballet Ensemble of the Romanian National Opera in Cluj-Napoca

Die Fledermaus -  (The Bat)

Cluj-Napoca

Romania

Opera Romana Cluj-Napoca

Die Fledermaus Strauss II,J

Public

The Bat

Approved

After the wonderful musical supervision composer J. Strauss has himself signed for the absolute premiere from 5 April 1874, the operetta “The Bat” would further trigger humour and an unparalleled joie de vivre with every new performance. Tha charm of the vienese composer was highly appreciated by some of his contemporary composers, such as Johannes Brahms, whom is believed to having attended each and every performance of the operetta and Gustav Mahler has also brought distinction and complimented Strauss’ waltzes, in which he saw an “enchanting uniqueness and inventiveness”.

Once we enter the story of the operetta, the sumptuous masked ball comes to life and lights the Russian prince’s court, framing perfectly the racy encounters of the variously disguised characters: the rich bourgeois couple with marital problems, the wife’s maid and her demanding sisters, a talkative and righteous jailer. They all proceed in a humorous, symbolical journey, which starts in the dance saloon and ends in prison, and which provides various opportunities for farce and humour, but also for sincere emotions and a surprisingly realistic perspective upon life, scattered with abundant laughs and champagne.

“The Bat” is definitely the most beloved, lively and eagerly-awaited performance that heralds each New Year’s Eve. J. Strauss-son’s creation has been enjoyed for decades as a New Year’s lyric tradition, in opera theatres all over the world, and brings the same joy every time, the same electrifying and jocular atmosphere, in an enchanting, unforgettable performance!

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