Name: Die Fledermaus
Start: 2020-01-24T00:00:00.000Z
End: 2020-04-19T00:00:00.000Z
Location: Opera Śląska

Admin

Organization

Singer

Tenor

Kamil Zdebel

Gabriel of Eisenstein

Maciej Komandera

Soprano

Anna Wiśniewska-Schoppa

Rosalinde

Aleksandra Stokłosa

Maria Rozynek-Banaszak

Adele

Karoline Podolak

Baritone

Stanisław Kuflyuk

Doctor Falke

Adam Woźniak

Adam Sobierajski

Alfred

Bogdan Kurovski

Frank

Mezzo-soprano

Anna Borucka

Prince Orlofsky

Piotr Rachocki

Juliusz Ursyn-Niemcewicz

Doctor Blind

Roksana Majchrowska

Spoken

Witold Dewor

Frosch

Conductor

Franck Chastrusse Colombier

Stage director

Henryk Konwiński

Set designer

Jan Bernaś

Costume designer

Małgorzata Słoniowska

Choreographer

Chorus master

Krystyna Krzyżanowska-Łoboda

Opera Śląska

Others

Choir of the Silesian Opera

Orchestra

Orchestra of the Silesian Opera

Die Fledermaus -  (The Bat)

Bytom

Poland

Die Fledermaus

Public

The Bat

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

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Harper

Harpsichordist

Hornist

Lutenist

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Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

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Chefdirigent Musiktheater

Choir

Chorus Director

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Dramaturge

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Illustrator

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Makeup artist

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Poet

Repetiteur

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Stage Manager

Teacher

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Video designer

Vocal coach

Wig & Makeup Designer

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Writing and performance

Contralto

Bass

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

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Zemsta nietoperza | trailer

The premiere of the operetta "The Bat's Revenge" took place on April 5, 1874 at the Theater an der Wien in Vienna. The libretto is written by Karl Haffner and Richard Genée, based on the French vaudeville Le Réveillon by Henri Meilhac and Ludovic Halévy.

The action of the operetta takes place in the circle of Viennese salons. The friendly, but reckless financier, Gabriel von Eisenstein, is to be arrested for slapping a tax official. His friend, however, persuades him to have a little distraction earlier and attend the ball. However, this is not an attempt to cheer Gabriel, but part of a plot to be revenge for leaving him drunk after a party once and forcing him to walk through the streets of Vienna ... disguised as a bat. Gabriel will appear incognito at the ball, not knowing that - also incognito - his wife Rozalinda and the maid Adela will be there, and even ... the director of the prison (also in disguise). The masquerade will lead to an avalanche of funny mistakes ...

The witty dialogues, full of an ambiguous play on words, are due to the excellent translation of Julian Tuwim, one of the most popular poets of the interwar period. The comedy of the situation, as in the perfect comedy of errors, is intertwined with the comedy contained in the text, and all this is illustrated by the spontaneous, joyful music of the waltz king

English

Premiera operetki „Zemsty nietoperza” odbyła się 5 kwietnia 1874 w Theater an der Wien w Wiedniu. Autorami libretta, według francuskiego wodewilu Le Réveillon Henriego Meilhaca i Ludovica Halévyego, są Karl Haffner i Richard Genée.

Akcja operetki rozgrywa się w kręgu wiedeńskich salonów. Sympatyczny, aczkolwiek lekkomyślny finansista Gabriel von Eisenstein, za spoliczkowanie urzędnika skarbowego ma trafić do aresztu. Jego przyjaciel, namawia go jednak, aby wcześniej nieco się rozerwał i wziął udział w balu. Nie jest to jednak próba pocieszenia Gabriela, ale część intrygi, która ma być zemstą za to, iż zostawił go kiedyś upojonego alkoholem po przyjęciu i zmusił do przejścia ulicami Wiednia… w przebraniu nietoperza. Na balu Gabriel pojawi się incognito, nie wiedząc, że – także incognito – będą tam jego żona Rozalinda i pokojówka Adela, a nawet sam…dyrektor więzienia (również w przebraniu). Maskarada doprowadzi do lawiny zabawnych pomyłek…

Dowcipne dialogi, pełne wieloznacznej gry słów, to zasługa wybornego przekładu Juliana Tuwima, jednego z najpopularniejszych poetów dwudziestolecia międzywojennego.  Komizm sytuacji, jak w doskonałej komedii omyłek,  splata się z komizmem zawartym w tekście, a to wszystko ilustruje żywiołowa, radosna muzyka króla walca.

polski

The Bat by Strauss II, Frá (2020/2020), Leikstýrt af Henryk Konwiński,, Hljómsveitarstjóri Franck Chastrusse Colombier, Opera Śląska, Bytom, Poland

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