Name: Die Fledermaus
Start: 2022-09-10T00:00:00.000Z
End: 2023-01-07T00:00:00.000Z
Location: Primorsky Stage of the Mariinsky Theatre

Admin

Alexei Kostyuk

Heinrich von Eisenstein

Soprano

Alena Diyanova

Rosalinde

Tenor

Mingiyan Odzhaev

Alfred

Dmitry Migulyov

Falke

Irina Kolodyazhnaya

Prince Orlofsky

Primorsky Stage of the Mariinsky Theatre

Liliya Kadnikova

Olga Zharikova

Adele

Roman Krukovich

Conductor

Waleriy Trubin-Leonoff

Stage director

Alexei Stepanuyk

Choreographer

Ilya Ustyantsev

Lighting designer

Yevgeny Ganzburg

Video designer

Victoria Zlotnikova

Valery Gergiev

Costume designer

Vyacheslav Okunev

Set designer

Yegor Kartashov

Chorus master

Larisa Shveikovskaya

Singer

Yevgeny Mizin

Gabriel of Eisenstein

Baritone

Doctor Falke

Mezzo-soprano

Tatiana Makarchuk

Die Fledermaus -  (The Bat)

Vladivostok

Russia

Great Hall

Chamber Hall

Die Fledermaus Strauss II

Public

The Bat

Ayyappa swamy y

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Bass

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

The waltz, wine and totally unrestrained merriment reign supreme in Die Fledermaus. Even the prison here is joyful rather than fearsome – people enter it almost willingly and there continue to celebrate. The leitmotif of the entire operetta comes with the words from Alfred and Rosalindeʼs duet – “Happy is he who passes by grief and cares.” “Easy listening” it may well be, but it is by no means easy to perform: both female leads demand virtuoso operatic control of the coloratura technique.

Russian audiences will be familiar with Die Fledermaus first and foremost thanks to the 1979 Lenfilm studiosʼ comedy with the Solomin brothers. In the film, the female vocals were provided by Larisa Shevchenko and Sofia Yalysheva, soloists of the Kirov Theatre. The text by Nikolai Erdman and Mikhail Volpin (1947), which provided the basis for the film script and for the current Mariinsky Theatre production, departs from the original libretto and offers an essentially separate and new opus, albeit retaining the majority of the characters.

And yet however much the plot peripeteia may differ, in any version and in any interpretation what remains unaltered is the dizzying and intoxicating music of Strauss. As critics noted following the premiere, it “enters the bloodstream through the ears and flows down to the feet, and even the most lazy listener unwittingly begins to nod his head, bestir himself and start tapping his feet. ‹…› One might well develop a good case of seasickness – the whole of the stalls 'rocks' so much from those magical waves of music that rise up from the orchestra pit.”

English

The Bat by Strauss II, De (2022/2023), Dirigit per Alexei Stepanuyk, Ilya Ustyantsev,, Director musical Waleriy Trubin-Leonoff, Valery Gergiev, Primorsky Stage of the Mariinsky Theatre, Vladivostok, Russia

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