Admin

Alexei Kostyuk

Heinrich von Eisenstein

Soprano

Alena Diyanova

Rosalinde

Tenore

Mingiyan Odzhaev

Alfred

Dmitry Migulyov

Falke

Irina Kolodyazhnaya

Prince Orlofsky

Primorsky Stage of the Mariinsky Theatre

Liliya Kadnikova

Olga Zharikova

Adele

Roman Krukovich

Direzione d'orchestra

Waleriy Trubin-Leonoff

Regia

Alexei Stepanuyk

Coreografia

Ilya Ustyantsev

Luci

Yevgeny Ganzburg

Video

Victoria Zlotnikova

Valery Gergiev

Costumi

Vyacheslav Okunev

Scenografia

Yegor Kartashov

Direzione del coro

Larisa Shveikovskaya

Cantante

Yevgeny Mizin

Gabriel von Eisentstein

Baritono

Dottor Falke

Mezzosoprano

Tatiana Makarchuk

Principe Orlofsky

russo

Die Fledermaus -  (Il pipistrello)

Vladivostok

Russia

Great Hall

Chamber Hall

Die Fledermaus Strauss II

Public

Il pipistrello

Ayyappa swamy y

Approvato

Palco

The waltz, wine and totally unrestrained merriment reign supreme in Die Fledermaus. Even the prison here is joyful rather than fearsome – people enter it almost willingly and there continue to celebrate. The leitmotif of the entire operetta comes with the words from Alfred and Rosalindeʼs duet – “Happy is he who passes by grief and cares.” “Easy listening” it may well be, but it is by no means easy to perform: both female leads demand virtuoso operatic control of the coloratura technique.

Russian audiences will be familiar with Die Fledermaus first and foremost thanks to the 1979 Lenfilm studiosʼ comedy with the Solomin brothers. In the film, the female vocals were provided by Larisa Shevchenko and Sofia Yalysheva, soloists of the Kirov Theatre. The text by Nikolai Erdman and Mikhail Volpin (1947), which provided the basis for the film script and for the current Mariinsky Theatre production, departs from the original libretto and offers an essentially separate and new opus, albeit retaining the majority of the characters.

And yet however much the plot peripeteia may differ, in any version and in any interpretation what remains unaltered is the dizzying and intoxicating music of Strauss. As critics noted following the premiere, it “enters the bloodstream through the ears and flows down to the feet, and even the most lazy listener unwittingly begins to nod his head, bestir himself and start tapping his feet. ‹…› One might well develop a good case of seasickness – the whole of the stalls 'rocks' so much from those magical waves of music that rise up from the orchestra pit.”

English

Il pipistrello by Strauss II, Da (2022/2023), Diretto da Alexei Stepanuyk, Ilya Ustyantsev,, Direttore d'orchestra Waleriy Trubin-Leonoff, Valery Gergiev, Palco, Vladivostok, Russia

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