Name: Die Walküre
Start: 2022-07-10T00:00:00.000Z
End: 2022-07-10T00:00:00.000Z
Location: Staatstheater

Organization

Stage director

Paul Esterházy

Soprano

Joo-Anne Bitter

Helmwige

Conductor

Hendrik Vestmann

Set designer

Mathis Neidhardt

Costume designer

Lighting designer

Ernst Engel

Dramaturge

Stephanie Twiehaus

Tenor

Zoltán Nyári

Siegmund

Nancy Weißbach

Brünnhilde

Baritone

Kihun Yoon

Wotan

Ann-Beth Solvang

Sieglinde

Mezzo-soprano

Melanie Lang

Fricka

Bass

Pavel Shmulevich

Hunding

Martyna Cymerman

Gerhilde

Susanne Serfling

Ortlinde

Maren Engelhardt

Waltraute

Contralto

Nana Dzidziguri

Siegrune

Hanna Larissa Naujoks

Rossweisse

Sarah Alexandra Hudarew

Grimgerde

Maiju Vaahtoluoto

Schwertleite

Oldenburgisches Staatstheater

Orchestra

Oldenburgisches Staatsorchester

Others

Extrachor Oldenburgisches Staatsorchester

Opernchor des Oldenburgischen Staatstheaters

saksa

Die Walküre -  (The Valkyrie)

Oldenburg

Germany

Staatstheater

Die Walküre Wagner,Richard

Public

The Valkyrie

Approved

"Captivating theater on a musically outstanding level." The Opera Glass

"The Oldenburg State Theater has succeeded musically and scenically in a performance that is captivating from the first to the last second, the level and consistency of which could stand up to the biggest houses." Der Opernfreund

"Even if the Valkyrie turned out to be a little more tame than expected, the  Ring project in Oldenburg remains one of the most exciting of this time, not least thanks to the musical merits." Original sound - formerly opernnetz.de "

"[...] A theater that forges a 'ring' is always working on its own brilliance. In ' Rheingold ' the state theater dug up a sparkling gem. In this 'Valkyrie' it continues to polish it brilliantly. " Northwest Newspaper"

"[...] All this is carried by wonderful, extraordinarily present singer-actors, whose guest engagements are a credit to a small house like Oldenburg. [...] and the orchestra, which puts on an almost breathtaking first act under its general music director Hendrik Vestmann, [...] has clearly gained in subtlety of the sound compared to the 'Rheingold'. Hurricane-like applause from an enthusiastic audience. "Weser Courier

The exciting family saga about power and love continues: After Fafner has made off with the Nibelungen treasure, Wotan ponders ways and means of getting the mighty ring back into his possession. Part of the plan are his twins Siegmund and Sieglinde, who are now grown but separated for a long time. They meet again in the house of Sieglinde's husband Hunding and fall in love – initially not recognizing each other. With the sword Notung, which Siegmund pulls out of the ash trunk, he is supposed to kill Hunding and steal the ring from Fafner. But Fricka - insisting on marital morality - forces Wotan to ensure that Siegmund, not Hunding, is defeated in the duel. With a heavy heart, Wotan asks his favorite daughter Brünnhilde to fulfill this task. However, when the Valkyrie supports Siegmund in battle, Wotan is forced to bring down his son himself by breaking his sword. Brünnhilde is severely punished by Wotan for her disobedience: She is to sleep at a fireplace until a courageous hero rescues her...

English

Etenduse krediiti (Näitlejad ja meeskond )

Osades

Meeskond

Ansambel