Name: Die Zauberflöte
Start: 2023-04-22T00:00:00.000Z
End: 2023-06-21T00:00:00.000Z
Location: Warszawska Opera Kameralna

Organization

Revival Director

Jolanta Denejko

Conductor

Kuba Wnuk

Singer

Soprano

Karolina Kowalczyk

First lady

Bass

Dariusz Górski

Speaker

Maria Rozynek-Banaszak

The Queen of the Night

Aleksandra Szmyd

Pamina

Tenor

Aleksander Kunach

Tamino

Baritone

Artur Janda

Papageno

Piotr Maciejowski

Monostastos

Joanna Lalek

Second lady

Contralto

MaŁgorzata Kustosik

Third lady

Stage director

Giovanny Castellanos

Set designer

Rafal Olbinski

Costume designer

Marcin Łobacz

Choreographer

Jakub Lewandowski

Lighting designer

Damian Pawella

Video designer

Sylwester Siejna

Remigiusz Łukomski

Sarastro

Katarzyna Drelich

Papagena

Child vocalist

Lucyna Białas

First spirit

Marcelina Górska

Second spirit

Tomasz Raczkiewicz

Third spirit

Tomasz Grygo

First priest

Łukasz Górczyński

Second priest

First armored man

Second armored man

Marcin Sompoliński

Joanna Moskowicz

Emil Ławecki

Anna Farysej

Piotr Nowacki

Paweł Trojak

Sylwia Krzysiek

Dominika Kościelniak

Bartosz Rajpold

Spoken

Jarosław Mysona

First slave

Anderson Patrick Nascimento de Lima

Second slave

Warszawska Opera Kameralna

Orchestra

Musicae Antiquae Collegium Varsoviense

Others

Vocal Ensemble of the Warsaw Chamber Opera

poloneză

Die Zauberflöte -  (The Magic Flute)

Warsaw

Poland

Die Zauberflöte

Public

The Magic Flute

engleză

Approved

The Magic Flute is considered to be one of Mozart’s greatest stage masterpieces. The opera was created in the year of Mozart’s death, and its stage life has continued uninterruptedly since the end of the 18th  century. Even such masterpieces as The Marriage of Figaro or Don Giovannni are not as popular. What is the magic of this particular piece? The Masonic symbolism contained in a slightly elaborate libretto, or perhaps a particularly fantastic vision of an unreal world that can be found everywhere and nowhere? The director’s vision of Giovanny Castellanos, who tried to exploit the full potential of absolute fantasy and masterfully incorporated into this bizarre libretto of the most brilliant music, lean towards the latter interpretation. Mozart surprises here with a variety of forms: choirs, arias, coloraturas, songs, great ensembles and finals. The composer also shows a unique catalogue of characters, some of which are balancing on the edge of a semi-buffa (Papageno, Papagena, Monostatos), and others are vividly taken from the opera series (The Queen of the Night – the evil witch, Sarastro – the good priest, Pamina and Tamino – a couple of lovers, choirs of priests). There are also completely new elements unknown from earlier opera conventions – Guardians, Three Boys, Three Ladies. All these elements have been given a special musical aura by Mozart, and each character has its own unique features of the musical language. Olbiński’s set design describes this dreamlike-surreal world in a way literally full of fantasies, associations and allusions, but at the same time friendly to the viewer. Marcin Łobacz’s costumes emphasize the animal-fairy-tale associations, giving the whole a unique aesthetic dimension.

English

Creditele spectacolului (Distribuție și Echipa )

Distribuție

Echipajul

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