Organization

Stage director

John Fulljames

Set designer

Dick Bird

Costume designer

Annemarie Woods

Video designer

Will Duke

Choreographer

Maxine Braham

Lighting designer

Fabiana Piccioli

Singer

Baritone

Palle Knudsen

Don Giovanni

Hannes Öberg

Bass

Mats Almgren

Commendatore

Soprano

Ida Falk Winland

Donna Anna

Susanna Stern

Tenor

Vassilis Kavayas

Don Ottavio

Viktor Johansson

Katarina Karnéus

Donna Elvira

Ann-Kristin Jones

Markus Schwartz

Leporello

Kristian Lindroos

Masetto

Mia Karlsson

Zerlina

Sofie Asplund

Conductor

Ville Matvejeff

Aivis Greters

Royal Danish Opera

Greek National Opera

GöteborgsOperan

Others

GöteborgsOperans Kör

Orchestra

Göteborg Opera Orchestra

Gothenburg Opera, Sweden

Revival Director

Aylin Bozok

Kristoffer Töyrä

Stefan Berkieta

italià

Gothenburg

Sweden

Operan

Stora scenen

Don Giovanni Mozart

Public

Private

grec

anglès

danès

Approved

Don Giovanni: ELS new international co-production begins its journey on GNO TV | From 14/2

Ντον Τζοβάννι: η νέα διεθνής συμπαραγωγή της ΕΛΣ ξεκινάει το ταξίδι της από τη GNO TV | Από τις 14/2

Don Giovanni coming soon on GNO TV | Don Giovanni is coming to GNO TV

Don Giovanni coming soon on GNO TV | Ο Ντον Τζοβάννι έρχεται στη GNO TV

Mozart’s classic opera about the incorrigible rake Don Giovanni is a demonic, impassioned and incendiary experience, here set in a luxury hotel.

At once repugnant and seductive, Don Giovanni is a man with an unquenchable thirst for women. In his amoral worldview there is no right or wrong, simply the right to take whatever and whoever takes his fancy. During the final twenty four hours of his life, three women join forces to get their revenge. Donna Anna, who was left traumatised after an unknown man forced entry into her bedroom and then murdered her father. The young Zerlina, whom the rampant Don attempts to seduce even as she celebrates her wedding. And Donna Elvira, Don Giovanni’s former mistress who burns with a desire to save him from self-destruction. He also burns in the end, but not with love.

Mozart’s opera runs the emotional gamut from exuberant happiness to the blackest hate. Its diabolical atmosphere, comic turns, keenly observed female characters and complex protagonist places it firmly among the true classics of opera.

Director John Fulljames, former artistic director of the Royal Danish Theatre in Copenhagen, sets his production in a modern luxury hotel – a society in miniature and a place for fleeting meetings during which the wealthy and rootless seek self-realisation. The music – as fickle as the arch-seducer himself, as dynamic as love and as dramatic as passion – is conducted alternately by the Finn Ville Matvejeff and the Göteborg Opera’s house conductor, Aivis Greters.

English

Crèdits de representació (Repartiment i equipatge )

Repartiment

Tripulació

Conjunt

Coproductor