Organization

Singer

Bass

Mats Almgren

Commendatore

Soprano

Anna Samuil

Donna Anna

Tenor

William Burden

Don Ottavio

Baritone

Gerald Finley

Don Giovanni

Luca Pisaroni

Leporello

Kate Royal

Donna Elvira

Guido Loconsolo

Masetto

Conductor

Vladimir Jurowski

Jakub Hrůša

Stage director

Jonathan Kent

Set designer

Paul Brown

Lighting designer

Mark Henderson

Choreographer

Denni Sayers

Chorus master

Jeremy Bines

FIGHT DIRECTOR

Alison de Burgh

Anna Virovlansky

Zerlina

Orchestra

Orchestra of the Age of Enlightenment

Others

The Glyndebourne Chorus

Glyndebourne

italština

United Kingdom

Opera House

Ebert Room

Lewes

From the Glyndebourne Festival 2010,
Winning team of director Jonathan Kent and designer Paul Brown on Mozart’s second collaboration with the mercurial librettist Lorenzo da Ponte is among the very blackest of black comedies.

Gerald Finley - Don Giovanni
Anna Samuil - Donna Anna
Luca Pisaroni - Leporello
Kate Royal - Donna Elvira
Brindley Sherratt - Il Commendatore
William Burden - Don Ottavio
Anna Virovlansky - Zerlina
Guido Loconsolo - Masetto

Orchestra of the Age of Enlightenment
The Glyndebourne Chorus
Vladimir Jurowski - conductor

Jonathan Kent - stage director
 Paul Brown - designer

Watch the second part: https://youtu.be/o3gbvhKsweg
Subscribe to EuroArts: https://goo.gl/jrui3M

Wolfgang Amadeus Mozart - Don Giovanni, K. 527 (Vienna Version)
Overture
5:30 Act I, Scene I. No.1 Introduction "Notte e giorno faticar"
10:29 Act I, Scene II Recitative "Leporello, ove sei?"
11:09 Act I, Scene III Recitative "Ah, del padre in periglio"
11:21 Act I, Scene III No.2 Accompanied Recitative and Duet "Ma qual mail s'offre, oh Dei, spettacolo funesto" - "Fuggi, crudele, fuggi!"
18:12 Act I, Scene IV Recitative "Orsù, spicciati presto"
20:03 Act I, Scene V No.3 Aria "Ah, chi mi dice mai"
23:35 Act I, Scene V Recitative "Stelle, che vedo!"
26:48 Act I, Scene V No. 4 Aria "Madamina, questo è il catalogo"
32:43 Act I, Scene VI Recitative "In questa forme dunque mi tradì il scellerato!"
33:20 Act I, Scene VII No.5 Chorus "Giovinette, che fate all'amore"
34:40 Act I, Scene VIII Recitative "Manco male, è partita"
37:05 Act I, Scene VIII No.6 Aria "Ho capito, signor, sì!"
38:36 Act I, Scene IX Recitative "Alfin siam liberati"
40:51 Act I, Scene IX No.7 Duettino "Là ci darem la mano"
43:45 Act I, Scene X Recitative "Fermati, scellerato"
44:31 Act I, Scene X No.8 Aria "Ah, fuggi il traditor"
45:39 Act I, Scene XI Recitative "Mi par ch'oggi il demonio"
46:56 Act I, Scene XII "Ah, ti ritrovo ancor"
47:03 Act I, Scene XII No.9 Quartet "Non ti fidar, o misera"
50:49 Act I, Scene XII Recitative "Povera sventurata!"
51:27 Act I, Scene XIII No.10 Accompanied Recitative and Aria: "Don Ottavio, son morta!" – "Or sai chi l'onore"
58:02 Act I, Scene XIV Recitative "Come mai creder deggio di sì nero delitto"
58:36 Act I, Scene XIV No.10a Aria "Dalla sua pace"
1:02:30 Act I, Scene XV Recitative "Io deggio ad ogni patto"
1:04:24 Act I, Scene XV No.11 Aria "Fin ch'han dal vino"
1:05:51 Act I, Scene XVI Recitative "Masetto: senti un po’"
1:06.56 Act I, Scene XVI No.12 Aria "Batti, batti, o bel Masetto"
1:10:58 Act I, Scene XVI Recitative "Guarda un po‘"
1:11:29 Act I, No.13 Finale Scene XVI "Presto, presto, pria ch'ei venga"
1:12:26 Act I, No.13 Finale Scene XVII "Sù svegliatevi, da bravi"
1:13:16 Act I, No.13 Finale Scene XVIII "Tra quest'arbori celata"
1:15:26 Act I, No.13 Finale Scene XIX "Bisogna aver coraggio"
1:19:26 Act I, No.13 Finale Scene XX "Riposate, vezzose ragazze"
1:20:40 Act I, No.13 Finale Scene XX "Venite pur avanti, vezzose mascherette!"
1:24:28 Act I, No.13 Finale Scene XX "Ecco il birbo che t'ha offesa"

Great bass-baritone Gerald Finley sings the title role again. He has appeared in many Glyndebourne productions since joining the Chorus in 1986 – not least in the title role of  “Le nozze di Figaro” at the opening of the new house in 1994. He has sung “Don Giovanni” to worldwide acclaim in New York, London, Paris, Vienna, Rome, Budapest and Prague.

From the Glyndebourne Festival 2010,
Winning team of director Jonathan Kent and designer Paul Brown on Mozart’s second collaboration with the mercurial librettist Lorenzo da Ponte is among the very blackest of black comedies.

Gerald Finley - Don Giovanni
Anna Samuil - Donna Anna
Luca Pisaroni - Leporello
Kate Royal - Donna Elvira
Brindley Sherratt - Il Commendatore
William Burden - Don Ottavio
Anna Virovlansky - Zerlina
Guido Loconsolo - Masetto

Orchestra of the Age of Enlightenment
The Glyndebourne Chorus
Vladimir Jurowski - conductor

Jonathan Kent - stage director
 Paul Brown - designer

Watch the first part: https://youtu.be/D9qaroyPO4Q
Subscribe to EuroArts: https://goo.gl/jrui3M

Wolfgang Amadeus Mozart - Don Giovanni, K. 527 (Vienna Version)
Act II, Scene I No.14 Duet "Eh via, buffone"
Act II, Scene I Recitative "Leporello. …  Signore."
Act II, Scene II No.15 Trio "Ah, taci, ingiusto core"
Act II, Scene II Recitative "Amico, che ti par?"
Act II, Scene III Recitative "Eccomi a voi!"
Act II, Scene III No.16 Canzonetta Canzonetta "Deh, vieni alla finestra"
Act II, Scene III Recitative "V'è gente alla finestra!"
Act II, Scene IV Recitative "Non ci stanchiamo"
Act II, Scene IV No.17 Aria "Metà di voi qua vadano"
Act II, Scene V Recitative "Zitto! Lascia ch'io senta"
Act II, Scene VI Recitative "Ahi ahi! La testa mia!"
Act II, Scene VI No.18 Aria "Vedrai, carino"
Act II, Scene VII Recitative "Di molte faci il lume s'avvicina"
Act II, Scene VII No.19 Sextet "Sola, sola in buio loco"
Act II, Scene VIII No.19 Sextet (cont'd) "Ferma, briccone, dove ten vai?"
Act II, Scene VIII No.19 Sextet (cont'd) "Mille torbide pensieri"
Act II, Scene IX Recitative "Dunque quello sei tu"
Act II, Scene X Recitative "Ferma, perfido, ferma!"
Act II, Scene Xa Recitative "Restati qua, restati qua"
Act II, Scene Xa No.21a Duet "Per queste tue manine"
Act II, Scene Xb Recitative "Amico, per pietà"
Act II, Scene Xc Recitative "Andiam, andiam, signora"
Act II, Scene Xd No.21b Accompanied Recitative and Aria "In quali eccessi" – "Mi tradì quell'alma ingrata"
Act II, Scene XI Recitative "ah ah ah ah, questa è buona"
Act II, Scene XII Recitative "Calmatevi, idol mio"
Act II, Scene XII No.23 Recitative accompagné et Rondo "Crudele! Ah no, mio bene!" - "Non mi dir, bell'idol mio"
Act II, Scene XII Recitative "Ah, si segua il suo passo"
Act II, No.24 Finale Scene XIII "Gia la mensa è preparata"
Act II, No.24 Finale Scene XIV "L'ultima prova dell'amor mio"
Act II, No.24 Finale Scene XV "Don Giovanni, a cenar teco m'invitasti"
Act II, Last Scene "Ah, dov'è il perfido"
Act II, Last Scene "Questo è il fin"

Great bass-baritone Gerald Finley sings the title role again. He has appeared in many Glyndebourne productions since joining the Chorus in 1986 – not least in the title role of  “Le nozze di Figaro” at the opening of the new house in 1994. He has sung “Don Giovanni” to worldwide acclaim in New York, London, Paris, Vienna, Rome, Budapest and Prague.

Don Giovanni lives a life of debauchery and pleasure, seducing and abandoning women wherever he goes, helped by his faithful servant Leporello. But when a seduction goes horribly wrong, he finally finds himself in a situation he can’t charm his way out of.

Don Giovanni, Mozart and Da Ponte’s take on the familiar Don Juan legend, is a work ahead of its time. Colliding comedy and tragedy in a fluid, free-form music-drama, the opera has a breathless energy and impetus that’s impossible to resist – a wild musical ride that takes its audience quite literally to hell and back again. A score of contrasts and extremes includes the beguiling simplicity of Don Giovanni’s serenade and the high-wire virtuosity of Donna Anna’s arias.

Gerald Finley stars as the libidinous Don in Jonathan Kent’s sleek, contemporary staging, with Kate Royal as Donna Elvira and Anna Samuil as the vengeful Donna Anna.

Recorded live at Glyndebourne Opera House, Festival 2010.

Mozart's second collaboration with the mercurial librettist Lorenzo da Ponte is among the very blackest of black comedies. For its first new production of the opera in 10 years, Glyndebourne is pleased to welcome back the winning team of director Jonathan Kent and designer Paul Brown, while the music is conducted by Festival Music Director, Vladimir Jurowski.

In the title role we also welcome back the great bass-baritone Gerald Finley, who first appeared at Glyndebourne as a member of the Chorus in 1986. He has since sung Don Giovanni to worldwide acclaim in New York, London, Paris, Vienna, Rome, Budapest and Prague.

Finley is joined by Luca Pisaroni (Guglielmo in the 2006 Festival's Così fan tutte) as Leporello, Kate Royal (the Governess in Jonathan Kent's 2006 staging of The Turn of the Screw) as Donna Elvira, and the young Russian soprano Anna Samuil making her UK opera debut as Donna Anna.

Don Giovanni (Mozart), 2010
Jonathan Kent’s sleek, contemporary staging of Mozart's wild musical ride that takes its audience quite literally to hell and back again.

Don Giovanni Mozart

Public

angličtina

Approved

Videa