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Cantor

Tenor

Enrique Ferrer

El Rey

Jorge Rodríguez-Norton

José Manuel Zapata

Jeremías

Carlos Cosías

el Almirante

Igor Peral

el Intendente

Baixo-barítono

José Julián Frontal

El Gobernador

Maestro

Iván López-Reynoso

Diretor de Palco

Barbara Lluch

Cenógrafo

Juan Guillermo Nova

Barítono

Rubén Amoretti

el General

Rocío Ignacio

Rosa

Sofía Esparza

María José Suárez

Maria

Sandro Cordero

Juan

Ruth González

Paje

Designer de Iluminação

Vinicio Cheli

Directora asistente

Lara Diloy

Miguel Sola

Pep Molina

el Alcalde

Alberto Frías

el Capitán

Antonio Buendía

El Corneta

Mestre de Coro

Antonio Fauró

Locker room

Clara Peluffo

Teatro Lírico Nacional de la Zarzuela

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Coro del Teatro de La Zarzuela

Orchestra

Orquesta de la Comunidad de Madrid

El rey que rabio

Madrid

Espanha

Teatro de la Zarzuela

𝐄𝐥 𝐫𝐞𝐲 𝐪𝐮𝐞 𝐫𝐚𝐛𝐢o Live broadcast from the Teatro de la Zarzuela on June 17, 2021. Music by RUPERTO CHAPÍ Libretto by Miguel Ramos Carrión and Vital Aza Critical edition by Tomás Marco (©Ediciones SGAE, 1996) The King who raged a true great zarzuela, it was created by Ramos Carrión, Vital Aza and Chapí in 1891; It is a milestone in the history of lyrical theater and on the stage of the Teatro de la Zarzuela. Because few kings, neither the most popular in history, nor the most beloved of their peoples, will have been more acclaimed, more applauded, more cheered than our King in this kingdom of La Zarzuela. 𝗣𝗥𝗜𝗠𝗘𝗥 𝗔𝗖𝗧𝗢 Prelude (Instrumental),15:42
FIRST TABLE Nº 1 A. Choir and pasodoble: "We will wait for the monarch",17:59  19:41(welcome) Nº 1 B. «Couplets» of the King: "How much the soul recreates itself...!",20:25
No. 2. Resignation Quartet (Polka): "Resignation!"26:50
No. 3. Pastoral idyll: "I am a simple shepherd"32:47
No. 4. Laughing Quartet: "Who is it?"37:20
SECOND TABLE Nº 5. Chorus: "Mr. Mayor"39:48
No. 6. Quartet: The jet of the fountain,49:43
Nº 7. Dance with choir and Final first: "Here comes the music!",58:25

𝗦𝗘𝗚𝗨𝗡𝗗𝗢 𝗔𝗖𝗧𝗢 THIRD TABLE Nº 8. Diana (Instrumental),1:04:40
No. 9 A. Arieta "My uncle figures it out",1:11:42
No. 9 B. «Duettino»: "While with the recruits",1:17:52
FOURTH TABLE Nº 10 A. Chorus: "Joyful reapers",1:28:04
Nº 10 B. Mazurca: "Among the harvests",1:30:12
No. 11. Nocturne (Instrumental),1:34:02
No. 12. «Racconto»: "For God's sake! For the Virgin!",1:38:41
No. 13. Quintet: "Good evening",1:41:18
No. 14. Second ending: "Great God!",1:51:55

𝗧𝗘𝗥𝗖𝗘𝗥 𝗔𝗖𝗧𝗢 FIFTH TABLE Nº 15. Chorus: "Compañeras, come!",1:52:43
Nº 16. Chorus: "Judging by the symptoms",1:58:53
SIXTH CHART No. 17. Romanza: "I'm restless!",2:04:11
Nº 18. Terceto: "My love, my good, my owner!",2:12:06
SEVENTH TABLE Nº 19 A. Scene of the embassies: "God enlighten the sovereign",2:21:07
Nº 19 B. Final: "¡Viva el Rey!", 2:27:54

Main Choir of the Teatro de la Zarzuela. Director: Antonio Fauró - My grandfather used to play zarzuela in the car when we traveled together to (or from) the house in Alcocéber. I am eternally grateful to him for approaching this beautiful genre at a very young age. And I think I wish I was here to see The King Who Raging. Surely it was one of his favorite zarzuelas. How could it not be! The music by maestro Chapí and the libretto by writers Ramos Carrión and Vital Aza is a true work of art. They created a very real fantasy world to narrate and sing us this funny story. That's why I wanted to follow his advice and set the play somewhere in nowhere. Yesterday, today or the day after tomorrow. As we all know, history repeats itself and there is little that we have not already seen. For me it's about connecting the dots in a way that each of the viewers feels, empathizes and interprets the characters, the place and the relationships from their own point of view. From your own unique perspective. And that is why the librettists did not name the King, the General, the Governor, the Admiral, or the Intendant... Because there could be as many different kings, generals, admirals, governors and intendants as there are spectators in the room. Let each one resonate with some images, some themes, some suggestions, some influences and interpret it as you wish. Give the public as much freedom as possible. The public. The most powerful reason why we dedicate ourselves to this beautiful profession, because among the things that this terrible pandemic has taught us is that without an audience there is no theater. I hope, dear audience, that you enjoy this evening. Good night - 𝘽á𝙧𝙗𝙖𝙧𝙖 𝙇𝙡𝙪𝙘𝙝 More information:http://teatrodelazarzuela.mcu.es/es/t...

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00:00the king who raged
15:42act first
01:04:40second act
01:52:43third act

El rey que rabio Chapí

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