Organization

Director(a) orquestal

Markus Poschner

Director(a) de escena

Patrice Chéreau

Escenógrafo(a)

Richard Peduzzi

Diseñador(a) de vestuario/Figurinista

Caroline de Vivaise

Diseñador(a) de iluminación

Dominique Bruguière

Cantante

Soprano

Ricarda Merbeth

Electra

Mezzosoprano

Waltraud Meier

Clitemnestra

Vida Mikneviciute

Crisótemis

Tenor

Stephan Rügamer

Egisto

Barítono

Lauri Vasar

Orest

Bajo

David Wakeham

El preceptor de Orest

Cheryl Studer

Su Confidente

La celadora de las doncellas

Natalia Skrycka

La portadora del manto de Clitemnestra

Siyabonga Maqungo

Un joven sirviente

Olaf Bär

Un viejo sirviente

Contralto

Bonita Hyman

1. Doncella

2. Doncella

Katharina Kammerloher

3. Doncella

Anna Samuil

4. Doncella

Roberta Alexander

5. Doncella

Gilles Bottacchi

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

alemán

Elektra -  (Electra)

Berlín

Alemania

Staatsoper Unter den Linden

Elektra

Public

inglés

Válido

Wie ein Rufen aus der Vorzeit, mit betörender Musik und einem Text von archaisch-wilder Kraft, beschwört Richard Strauss’ »Elektra« den Zauber des Schaurig-D...

Elektra Strauss,R

Like a call issuing from a mythical distant past, Richard Strauss’ »Elektra« summons the magic of eerie gloom and archaic brutality. An almost inevitable »tremendous increase to the very end« (Strauss) in musical tension plunges the listener deep into Electra’s world, which is shaped by grief, pain, and thirst for vengeance. Humiliated and tormented by her family, Electra, the daughter of the king of Mycenae, devotes her life to a single obsessive goal: day in and day out, she invokes the memory of her father, who was murdered treacherously by her mother Clytemnestra and Clytemnestra’s lover Aegisthus, and she waits for the return of her brother Orestes, who is supposed to avenge his father’s murder. The deed must be paid back in kind. Vacillating between hatred, hysteria, weakness, hubris, deep sadness, obsession and sarcasm, Electra has lost every connection to the people around her. She is unkempt and has rejected her femininity.

In his monumental one-act opera for dramatic voices and a giant orchestra, inspired by the powerful eloquence of his perfectly matched librettist Hugo von Hofmannsthal, the fin-de-siècle composer created a musical and psychological portrait that is extremely stirring in its expressiveness and overpowering in its tonal force. In Strauss’s own words, it brought him to the utmost limits of »psychological polyphony«

English

Electra by Strauss, De (2023/2023), Dirigido por Patrice Chéreau,, Director Markus Poschner, Staatsoper Unter den Linden, Berlín, Alemania

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