Name: Ensemble Correspondances
Start: 2022-04-29T00:00:00.000Z
End: 2022-04-29T00:00:00.000Z
Location: St. Paul Church

Organization

Boston Early Music Festival

Conductor

Sébastien Daucé

Orchestra

Ensemble Correspondances

Others

vācu

Cambridge

United States

St. Paul Church

Ensemble Correspondances: Membra Jesu Nostri Buxtehude (+1 More)

Public

Members of Our Jesus

The Seven Words of Jesus Christ on the Cross

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Singer

Tenor

Mezzo-soprano

Countertenor

Contralto

Baritone

Bass

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Sébastien Daucé and his musicians take a step aside to explore Lutheran Europe before Bach. We are struck by the expressive vigor of these finely chiseled pages which have retained their power of fascination for today's listeners. Merging old and new, the austerely beautiful language of Buxtehude, Schütz or the rarer Dijkman produces an unexpected echo to the music of their contemporary Charpentier. Sébastien Daucé and his musicians explore Lutheran Europe before JS Bach. One is struck by the expressive vigor of these finely detailed works, which have retained all their power to fascinate today's listeners. Merging old and new, the austerely beautiful language of Buxtehude, Schütz and the much more rarely heard Dijkman unexpectedly echoes the music of their contemporary Charpentier. Leaving England and France behind, Sébastien Daucé and his musicians make a detour into Lutheran Europe before JS Bach. One is impressed by the expressive power of these finely crafted works, which are still able to fascinate listeners today. The tonal language of Buxtehude, Schütz and the rarely heard Dijkman mixes the old with the new, is of austere beauty and shows quite unexpected echoes of the music of the contemporary M.-A. Charpentier. is of austere beauty and shows quite unexpected echoes of the music of the contemporary M.-A. Charpentier. is of austere beauty and shows quite unexpected echoes of the music of the contemporary M.-A. Charpentier.

Buxtehude: Membra Jesus nostri | Ensemble Correspondences, Sébastien Daucé

Sébastien Daucé and Ensemble Correspondances are renowned for recordings and performances of Baroque masterpieces that merge passion and elegance. They return to BEMF for the final concert of our 2021–2022 Season with a program showcasing two unique approaches to the Passion story from 17th-century Germany. Buxtehude’s seven-part cycle of Passion cantatas, Membra Jesu nostri, is written to texts from a medieval poem offering a mystical meditation of Christ on the cross. Da Jesus an dem Kreuze stund by Schütz focuses on the seven words of Christ on the cross with intense expressivity and diverse stylistic inspirations.

English

Ensemble Correspondances by Buxtehude, Schütz, H., No (2022/2022), Diriģents Sébastien Daucé, St. Paul Church, Cambridge, United States

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