Organization

Conductor

Josip Šego

Stage director

Krešimir Dolenčić

Set designer

Dalibor Laginja

Costume designer

Inga Kostinčer

Restoration of costumes

Dženisa Pecotić

Choreographer

Margareta Froman

Vatroslav Krčelić

Assistant Director

Petar Vujačić

Assistant in costume restoration

Željko Nosić

Chorus master

Luka Vukšić

Translator

Tijana Gojić

Singer

Ivica Trubić

Marko

Siniša Štork

Ivica Čikeš

Dubravka Šeparović Mušović

Doma

Sofia Ameli Gojić

Cecilija Car

Tamara Franetović Felbinger

Đula

Valentina Fijačko

Kristina Anđelka Đopar

Adela Golac Rilović

Stjepan Franetović

Ero the Joker

Miljenko Đuran

Davor Radić

Sima

Ljubomir Puškarić

Ana Zebić Kostel

Čobanče

Marija Lešaja

Silent

Mario Bokun

Momče

Neven Mrzlečki

Pianist

Vjekoslav Babić

Helena Borović

Nina Cossetto

Silvana Čuljak

Inspectors

Aleksandra Ćorluka

Zrinka Petrušanec

Nikolina Hrkać

Josipa Lončar

Mate Akrap

Ivana Srbljan

Andrija Bošković

Nina Rašković

HNK Zagreb

Others

Choir HNK Zagreb

Orchestra

Orkestar Opere Hrvatskoga Narodnog Kazalista u Zagrebu

amharų

Zagreb

Croatia

Ero the Joker Gotovac

Public

Approved

The most successful and popular work of Jakov Gotovac, the opera E ro s ona svija, has long been counted among the most successful Slavic comic operas, and since its premiere in Zagreb's HNK in 1935, it has almost never left the repertoire of all Croatian national theaters. Numerous reviews of plays staged on foreign stages rate Era as a trademark of Croatian opera, which transmits the songs and dances of its homeland to the world, where dramatic words and music are ideally combined. The musical color, exuberant orchestration, lively rhythms, singing vocal lines that flow continuously are closely related to the exceptional libretto by Milan Begović, full of witty and ingenious lyrics. The main character of the opera and the initiator of the action is Mića, a young man from a rich rural family of Dalmatian Zagora.
While he is trying to find a girl to marry, on his mother's advice he presents himself as a poor man, like Ero from the other world, because he wants to be sure that his chosen one, Đula, sincerely loves him. Although he deceived many, in the end everything is forgiven and he gets the girl he loves. The opera's effective ballet finale, with its furious pace, is a kind of ode to the folk way of life, in which the music imbued with the ethnos of the Dalmatian hinterland comes to the fore.

English

Najuspješnije i najpopularnije djelo Jakova Gotovca opera Ero s onoga svijeta odavno je ubrojen među najuspjelije slavenske komične opere, a od praizvedbe u zagrebačkome HNK 1935. gotovo ne silazi s repertoara svih hrvatskih nacionalnih kuća. Brojni osvrti o predstavama postavljenim na stranim pozornicama ocjenjuju Eru zaštitnim znakom hrvatske opere, koji prenosi pjesme i plesove svoje domovine u svijet, pri čemu su dramska riječ i glazba idealno spojene. Glazbeni kolorit, bujna orkestracija, živahni ritmovi, pjevne vokalne linije koje neprekinuto teku u uskoj su vezi s iznimnim libretom Milana Begovića prepunim duhovitih i domišljatih stihova. Glavni lik opere i pokretač radnje je Mića, mladić iz bogate seoske obitelji Dalmatinske zagore.
Dok pokušava pronaći djevojku s kojom bi se oženio, na majčin se savjet prikazuje kao siromah, kao Ero s onoga svijeta, jer želi biti siguran da ga odabranica Đula iskreno voli. Iako je mnoge prevario, na kraju mu je sve oprošteno i on dobije djevojku koju ljubi. Efektan baletni finale opere, furiozna tempa, svojevrsna je oda pučkom načinu života, u kojem glazba prožeta etnosom dalmatinskoga zaleđa dolazi u prvi plan.

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