Name: Europe Sans Frontières
Start: 2022-06-01T00:00:00.000Z
End: 2022-06-01T00:00:00.000Z
Location: Konserthuset (Stockholm Concert Hall)

Organization

Admin

Les Talens Lyriques

Orchestra

Conductor

Christophe Rousset

Singer

Florie Valiquette

Soloist

Soprano

Europe Sans Frontières

Stockholm

Sweden

Konserthus

Europe Sans Frontières: Deuxième Récréation de musique, op. 8 Leclair, J. (+5 More)

Public

Deuxième Récréation de musique, op. 8

Les Nations

Le Carnaval de Venise

The Gallant Europe

Orfeo, P.115

Non sa che sia dolore, BWV 209

Approved

Konserthuset (Stockholm Concert Hall)

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Mezzo-soprano

Bass-baritone

Baritone

Bass

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Le xviiie siècle a connu plusieurs compositeurs « sans frontières » qui ont su jouer avec les styles musicaux nationaux de leur temps, les modeler et les façonner selon leur propre génie. Christophe Rousset propose une mise en lumière originale de ce répertoire musical dans ce programme tout européen, multicolore, fait d’emprunts et d’inspiration au voyage.

Ainsi, la Deuxième récréation en musique, op. 8, de Jean-Marie Leclair (1697-1764) avec son ouverture et sa suite de danses alliant styles français et italien, et la cantate en langue italienne Non sa che sia dolore BWV 209 de Johann Sebastian Bach (1685-1750) encadrent une autre merveilleuse cantate pour soprano, Orfeo, de l’italien Giovanni Battista Pergolesi (1710-1736), ainsi que des extraits d’œuvres de deux autres maîtres français de l’art des « goûts réunis » : François Couperin (1668-1733) et André Campra (1660-1744). Ces extraits mettent à l’honneur tour à tour la pureté du contrepoint germanique, la légèreté du chant italien et la noblesse de l’Espagne, mêlant la sonade de « L’Impériale » et la passacaille de « L’Espagnole » extraites des fameuses Nations de Couperin ; ainsi que deux airs de Campra, en langue italienne (« La farfalla intorno ai fiori », extrait des Fêtes Vénitiennes) et espagnole (« El esperar en amor » extrait de L’Europe galante). Toutes composées du vivant de Bach, ces œuvres ainsi rassemblées témoignent de l’enthousiasme et de l’effervescence qu’ont suscité chez les musiciens et leurs publics ces confrontations de nations en musique à travers toute l’Europe du xviiie siècle.

français

The 18th century  saw several composers “without borders” who knew how to play with the national musical styles of their time, model them and shape them according to their own genius. Christophe Rousset offers an original highlighting of this musical repertoire in this all-European, multi-colored program, made of borrowings and inspiration from travel.

Thus, the Second recreation in music , op. 8, by Jean-Marie Leclair (1697-1764) with its overture and its suite of dances combining French and Italian styles, and the Italian-language cantata Non sa che sia dolore BWV 209 by Johann Sebastian Bach (1685-1750) frame a another wonderful cantata for soprano, Orfeo , by the Italian Giovanni Battista Pergolesi (1710-1736), as well as extracts from the works of two other French masters of the art of “united tastes”: François Couperin (1668-1733) and André Campra (1660-1744). These extracts highlight in turn the purity of Germanic counterpoint, the lightness of Italian singing and the nobility of Spain, mixing the sonade of “L'Impériale” and the passacaglia of “L'Espagnene” taken from the famous Couperin Nations ; as well as two arias by Campra, in Italian (“La farfalla intorno ai fiori”, taken from Les Fêtes Vénitiennes ) and Spanish (“El esperar en amor” taken from L’Europe galante ). All composed during Bach's lifetime, these works brought together bear witness to the enthusiasm and excitement that these confrontations of nations in music throughout Europe in the 18th century aroused among musicians and their audiences  .

English

Europe Sans Frontières by Leclair, Jean-Marie, Couperin, Campra, Pergolesi, Bach, J. S., De la (2022/2022), Dirijor Christophe Rousset, Konserthuset (Stockholm Concert Hall), Stockholm, Sweden

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