Admin

Organization

Śpiewak

Tenor

Charles Castronovo

Doktor Faust

Ildar Abdrazakov

Mefistofeles

Baryton

Vasilij Ladjuk

Walenty

Sopran

Irina Lungu

Małgorzata

Mezzosopran

Ketevan Kemoklidze

Siebel

Samantha Korbey

Marta

Dyrygent

Gianandrea Noseda

Reżyseria

Stefano Poda

Kostiumy

Scenografia

Paolo Maria Orecchia

Wagner

Reżyseria światła

Choreografia

Teatro Regio di Torino

Orchestra

Orchestra del Teatro Regio di Torino

Faust

Turyn

Włochy

Teatro Regio

By placing a giant black ring in the center of the stage, casting a menacing shadow over the singers and dominating the scene, director, set and costume designer Stefano Poda takes the story of the endlessly searching Faust to an abstract, seemingly futuristic level, and not only ensures the most fascinating stage moments due to the sophisticated lighting control.
Also thanks to the excellent and enthusiastic cast, Poda manages to convince his audience. Charles Castronovo in the title role deserves special mention for his brilliant acting and gentle singing. Russian bass Ildar Abdrazakov - a staple of every major opera house around the world - embodies the demonic Méphistophélès. As the innocent young girl Marguerite we see the Moldovan soprano Irina Lungu, who demonstrates her skills with a crystal-clear timbre. The performance will be directed by the General Music Director of the Teatro Regio Gianandrea Noseda, who has been in office since 2007 and who has taken on this opera jewel for the first time. He conducts the orchestra of the Teatro Regio Torino with fine nuances and a high level of musical tension.

Public

Approved

Faust Gounod

Premiered in Paris in 1859, Gounod’s Faust was an instant success and even today remains one of the most popular of all French operas. Its libretto was based...

By placing a giant black ring in the center of the stage, casting a menacing shadow over the singers and dominating the scene, director, set and costume designer Stefano Poda takes the story of the endlessly searching Faust to an abstract, seemingly futuristic level, and not only ensures the most fascinating stage moments due to the sophisticated lighting control.
Also thanks to the excellent and enthusiastic cast, Poda manages to convince his audience. Charles Castronovo in the title role deserves special mention for his brilliant acting and gentle singing. Russian bass Ildar Abdrazakov - a staple of every major opera house around the world - embodies the demonic Méphistophélès. As the innocent young girl Marguerite we see the Moldovan soprano Irina Lungu, who demonstrates her skills with a crystal-clear timbre. The performance will be directed by the General Music Director of the Teatro Regio Gianandrea Noseda, who has been in office since 2007 and who has taken on this opera jewel for the first time. He conducts the orchestra of the Teatro Regio Torino with fine nuances and a high level of musical tension.

The opera, which premiered in Paris in 1859, was a success from the start. Today, Charles Gounod's Faust is one of the most popular works. in the French operatic repertoire. Goethe's tragedy served as the basis, while Michael Carré's French version Faust et Marguerite Gounod provided the impetus for his musical work on the subject.

English

Faust by Gounod, od (2015/2015), W reżyserii Stefano Poda,, Dyrygent Gianandrea Noseda, Teatro Regio, Turyn, Włochy

Udział w spektaklu (Obsada & realizacja )

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