Name: Fidelio
Start: 1970-09-16T00:00:00.000Z
End: 1970-09-16T00:00:00.000Z
Location: Teatro Colón

Organization

Conductor

Ferdinand Leitner

Stage director

Ernst Poettgen

Set designer

Paul Walter

Costume designer

Chorus master

Romano Gandolfi

Singer

Bass

Ángel Mattiello

Don Fernando

Franz Crass

Rocco

Baritone

Gustav Neidlinger

Don Pizzaro

Soprano

Renate Holm

Marzelline

Tenor

Jon Vickers

Florestan

Gerhard Unger

Jaquino

Ingrid Bjørnov

Leonore

Gui Gallardo

First prisoner

Teatro Colón

Others

Coro Estable del Teatro Colón

Orchestra

Orquesta Estable del Teatro Colón

Fidelio

Buenos Aires

Argentina

Fidelio Beethoven

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Fidelio o el amor conyugal, la única ópera de Beethoven, llegó a la escena vienesa el 20 de noviembre de 1805, una semana después de la ocupación napoleónica en la capital austríaca. De acuerdo a la explicación más difundida del escaso éxito inaugural, estaba ausente en el Theater-an-derWien un buen porcentaje del público habitual, más preocupado –naturalmente– por salvarse a sí mismo huyendo de la ciudad que por asistir al escape de Florestán de la prisión en la que lo encerrara, injustamente, el alcalde Don Pizarro.

En cambio, el público que sí presenció la obra, compuesto en su mayoría por oficiales del ejército invasor, podía muy difícilmente conmoverse con el rescate de una víctima del poder político y militar de Pizarro a manos de la audaz Leonora, la mujer del prisionero. Sencilla ironía de la historia, el relato de esta amorosa insurrección, compuesto (sobre la base de hechos históricos) por Jean-Nicolas Bouilly, un partícipe activo de la Revolución Francesa, se le ofrecía a un público francés que, aun pretendiendo hundir sus raíces en esa misma revolución, se habría visto llevado a condenar cualquier acto de desobediencia civil que pudiera alentar un boicot a su reciente dominio sobre la ciudad.

español

Fidelio or conjugal love , Beethoven's only opera, arrived on the Viennese stage on November 20, 1805, a week after Napoleon's occupation of the Austrian capital. According to the most widespread explanation for the poor opening success, a good percentage of the regular audience was absent from the Theater-an-derWien, more concerned –naturally– with saving themselves by fleeing the city than with witnessing Florestan's escape from the prison in which Mayor Don Pizarro unjustly imprisoned him.

On the other hand, the public that did witness the play, made up mostly of officers from the invading army, could hardly be moved by the rescue of a victim of Pizarro's political and military power at the hands of the audacious Leonora, the prisoner's wife. Simple irony of history, the story of this amorous insurrection, composed (on the basis of historical facts) by Jean-Nicolas Bouilly, an active participant in the French Revolution, was offered to a French public that, while trying to sink its roots in that same revolution, he would have been led to condemn any act of civil disobedience that might encourage a boycott of his recent rule over the city.

English

Fidelio by Beethoven, De (1970/1970), Dirigit per Ernst Poettgen,, Director musical Ferdinand Leitner, Teatro Colón, Buenos Aires, Argentina

Crèdits de representació (Repartiment i equipatge )

Repartiment

Tripulació

Conjunt

Programa, Sobre i Resum

Fotografies

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Dates i llocs d'actuació

Llocs