Name: Focus 02
Start: 2023-06-02T00:00:00.000Z
End: 2023-06-02T00:00:00.000Z
Location: Auditorio Nacional de Musica

Organization

Direzione d'orchestra

Baldur Brönnimann

Cantante

Soprano

Josefin Feiler

Aoife Gibney

Orchestra

Spanish National Orchestra

Orquesta y Coro Nacionales de España

Focus 02

Madrid

Spagna

Auditorio Nacional de Musica

Focus 02: Homenaje Falla (+3 More)

Public

Omaggio

Ich ersehne die Alpen

La Peri

Mugarri

Il Sole delle Acque

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Mezzosoprano

Basso

Basso-baritono

Contralto

Tenore

Baritono

Controtenore

Alto

Continuo

Mimi

Narrazione

Voce bianca

Cuando Gérard Grisey afirmó en su comentario a Les espaces acoustiques que su credo consistía en «ne plus composer avec des notes, mais avec des sons» –no componer [música] con notas, sino con sonidos–, estaba lanzando de forma consciente un dardo contra Pierre Boulez, autoridad indiscutible de la vanguardia francesa e internacional. Que el IRCAM –la institución musical fundada en 1970 por Boulez– se convirtiera en apenas una década en un bastión de las jóvenes generaciones espectralistas, justificaría sobradamente la inscripción en mayúsculas de su nombre en la historia de esta corriente, si no fuera porque el refinamiento tímbrico de su obra merece, por sí mismo, una reconsideración de las palabras de Grisey. El segundo programa sinfónico de este FOCUS continúa su doble diálogo –entre el presente y el pasado, entre Francia y España– con la inclusión de sendas obras de Manuel de Falla y Paul Dukas, así como dos muestras de dos destacados autores españoles afincados en París –el donostiarra Ramon Lazkano y el barcelonés Hèctor Parra– cuya obra se nutre de algunos de los postulados y actitudes que definen la corriente espectralista –o post espectralista– en nuestros días.

español

When Gérard Grisey stated in his commentary to Les espaces acoustiques that his credo was "ne plus composer avec des notes, mais avec des sons" – not to compose [music] with notes, but with sounds – he was consciously throwing a dart against Pierre Boulez, the indisputable authority of the French and international avant-garde. That IRCAM –the musical institution founded in 1970 by Boulez– became a bastion of young spectralists generations in just a decade, would more than justify the inscription of his name in history in capital letters. of this current, if it were not for the fact that the timbre refinement of his work deserves, by itself, a reconsideration of Grisey's words. The second symphonic program of this FOCUS continues its double dialogue –between the present and the past, between France and Spain– with the inclusion of two works by Manuel de Falla and Paul Dukas, as well as two shows by two prominent Spanish authors based in Paris – Ramon Lazkano from San Sebastian and Hèctor Parra from Barcelona – whose work draws on some of the postulates and attitudes that define the current of spectralism – or post-spectralism – today.

English

Focus 02 by Falla, Parra, H., Dukas, Lazkano, Boulez, Da (2023/2023), Direttore d'orchestra Baldur Brönnimann, Auditorio Nacional de Musica, Madrid, Spagna

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