Name: Frankfurter Opern- Und Museumsorchester
Start: 2025-05-26T00:00:00.000Z
End: 2025-05-26T00:00:00.000Z
Location: Alte Oper

Admin

Alte Oper Frankfurt

Maestro

Duncan Ward

Orchestra

Frankfurter Opern- und Museumsorchester

Instrumentista

Pianist

Martin Helmchen

Piano

Oper Frankfurt

Frankfurter Opern- Und Museumsorchester

Frankfurt am Main

Alemanha

Alte Oper

Großer Saal

Public

Concert

Concerto

Oratório / Orquestral

Sinfonia nº 88 em sol maior, Hob I/88

Burleske, TrV 145

Serenata nº 1, Op. 11

Saurav Kumar

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Diretor de Palco

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baixo

Cantor

Mezzo-soprano

Baixo-barítono

Tenor

Soprano

Contralto

Barítono

Contratenor

Alto

Continuo

Silent

Spoken

Vocalista Infantil

„So wie dieser Satz sollte meine Neunte Sinfonie klingen!“ – so soll sich Johannes Brahms über den Largo-Satz von Joseph Haydns Sinfonie Nr. 88 geäußert haben. Überhaupt war Brahms ein großer Bewunderer des „Vaters der Wiener Klassik“, mit dessen Kompositionen er sich sein Leben lang intensiv beschäftigt hat. Entstanden zwischen den „Pariser“ und den „Londoner“ Sinfonien, kommt der 88. Sinfonie eine Sonderstellung im Werk Haydns zu. Sie ragt heraus wegen ihrer großen stilistischen Bandbreite, die vom klanglich anrührenden Largo-Satz bis hin zum burlesken Charakter des Finales reicht.
Brahms‘ eigene Orchesterwerke waren stark von Haydns Sinfonik beeinflusst, insbesondere die frühen Orchesterserenaden, in denen der Komponist erste eigenständige Versuche einer neuen Sinfonik unternahm.
Nicht weniger beeinflusst war der junge Richard Strauss vom Vorbild Johannes Brahms. Mit seinem frühen einsätzigen Klavierkonzert wagte auch er erste Schritte in eine ganz eigene Richtung. „Klavierkonzert“ nannte er das Werk nicht, sondern zunächst „Scherzo“, schließlich „Burleske“. Die Anklänge an Brahms, den der junge Strauss während der Kompositionszeit persönlich kennenlernte, sind deutlich zu hören – und doch klingt schon viel Eigenes durch, wie etwa der originelle Instrumentationseinfall, das Hauptthema von der Pauke vortragen zu lassen.

Deutsch

“My Ninth Symphony should sound like this!” – this is how Johannes Brahms is said to have said about the Largo movement of Joseph Haydn’s Symphony No. 88. In general, Brahms was a great admirer of the “Father of Viennese Classicism”, whose compositions he worked intensively on throughout his life. Created between the “Paris” and the “London” symphonies, the 88th Symphony has a special position in Haydn's work. It stands out because of its wide stylistic range, ranging from the tonally touching Largo movement to the burlesque character of the finale.
Brahms' own orchestral works were strongly influenced by Haydn's symphonies, especially the early orchestral serenades, in which the composer made his first independent attempts at a new symphony.
The young Richard Strauss was no less influenced by the role model of Johannes Brahms. With his early one-movement piano concerto he also took his first steps in a very unique direction. He did not call the work a “piano concerto,” but first called it “scherzo,” and finally “burlesque.” The echoes of Brahms, whom the young Strauss got to know personally during the composition period, can be clearly heard - and yet a lot of his own sounds come through, such as the original instrumentation idea of ​​having the main theme performed by the timpani.

English

Frankfurter Opern- Und Museumsorchester by Haydn, Strauss, Brahms, De (2025/2025), Regente Duncan Ward, Alte Oper, Frankfurt am Main, Alemanha

Créditos do espetáculo (Elenco & Equipe )

Conjunto

Co-produtor

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos