Name: Freiburger Barockorchester
Start: 2024-01-12T00:00:00.000Z
End: 2024-01-12T00:00:00.000Z
Location: Berliner Philharmonie

Organization

Violinist

Cecilia Bernardini

Violin

Violist

Corina Golomoz

Viola

Pianista

Kristian Bezuidenhout

Piano I

Sebastian Wienand

Piano II

Oboist

Ann-Kathrin Brüggemann

Oboe

Clarinetist

Lorenzo Coppola

Clarinet

hornist

Gijs Laceulle

Horn

Bassoonist

Eyal Streett

Bassoon

Piano

Maestro

Freiburger Barockorchester

Orchestra

Berlim

Alemanha

Berliner Philharmoniker

Berliner Philharmonie

Kammermusiksaal

Freiburger Barockorchester: Sinfonia concertante in E-flat Major for violin and viola, K. 364 Mozart (+2 More)

Public

Private

Sinfonia concertante em mi bemol maior para violino e viola, K. 364

Concerto para dois pianos nº 10 em mi bemol maior, K. 365

Quintet in E-flat Major, K.452

Approved

Baixo

Instrumentalist

Cellist

Flutist

Guitarist

Organist

Percussionist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositor

Diretor de Palco

Libretista

Cenógrafo

Estilista

Coreógrafo

Designer de Iluminação

Dançarino

Ator

Mestre de Coro

Designer de Vídeo

Dramaturgo

Tradutor

Designer de Som

Repetidor

Maquiador

Produtor executivo

Estilista de cabelo

Other

Stage Manager

Coral

Orquestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzo-soprano

Singer

Barítono

Contratenor

Contralto

Tenor

Soprano

Baixo-barítono

Spoken

Vocalista Infantil

Silent

Alto

Continuo

Salzburg 1779: Enttäuscht und in seiner Musikerpersönlichkeit gekränkt kehrte Wolfgang Amadeus Mozart von seiner Reise nach Mannheim und Paris zurück in seine Heimatstadt. Er hatte gehofft, in den Städten eine lukrative Anstellung zu finden – vergeblich. Trotz den Zurückweisungen hörte Mozart nicht auf zu komponieren, sondern ließ seine Erfahrungen, die er auf seiner Reise gesammelt hatte, in seine künftigen Werke einfließen. Zwei besondere Kompositionen entstanden auf diese Weise: zum einen die Sinfonia concertante KV 364, die als Hybridform zwischen Sinfonie und Doppelkonzert für Violine und Viola angesehen werden kann; zum anderen das Konzert für zwei Klaviere KV 365, das einzige seiner Art aus der Feder Mozarts. Dieses Werk verfasste er für sich und seine Schwester Nannerl. Erstmals besetzt Mozart ausdrücklich zwei Fagotte für dieses Werk, vermutlich inspiriert durch die hohe Holzbläserkunst in Mannheim.
Nach dem großen Erfolg des „Kegelstatt“-Trios im letztjährigen Konzertprogramm „Mozart Evolution“ ergänzen wir auch diesmal die beiden Orchesterwerke mit einer Kammermusikkomposition, dem Quintett KV 452. Kurz nach der Premiere am 1. April 1784 schreibt Mozart begeistert an seinen Vater: „Ich selbst halte es für das Beste, was ich in meinem Leben bisher komponierte.“

Deutsch

Salzburg 1779: Disappointed and hurt in his musical personality, Wolfgang Amadeus Mozart returned to his hometown after his trip to Mannheim and Paris. He had hoped to find lucrative employment in the cities - in vain. Despite the rejections, Mozart did not stop composing, but incorporated the experiences he had gained on his journey into his future works. Two special compositions were created in this way: on the one hand, the Sinfonia concertante KV 364, which can be viewed as a hybrid form between a symphony and a double concerto for violin and viola; on the other hand, the concerto for two pianos KV 365, the only one of its kind written by Mozart. He wrote this work for himself and his sister Nannerl. For the first time Mozart explicitly scored two bassoons for this work,
After the great success of the "Kegelstatt" trio in last year's concert program "Mozart Evolution", we are once again supplementing the two orchestral works with a chamber music composition, the quintet KV 452. Shortly after the premiere on April 1, 1784, Mozart enthusiastically wrote to his father: " I personally consider it the best thing I've composed in my life so far."

English

Freiburger Barockorchester by Mozart, De (2024/2024), Regente Cecilia Bernardini, Berliner Philharmonie, Berlim, Alemanha

Créditos do espetáculo (Elenco & Equipe )

Elenco

Conjunto

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos